rob aylestone
Moderator
It's mainly because the 416 is the most common shotgun - it's length and usefulness is great - and of course, there is a bit of a cheat for many people. Shotguns usually sound horrible in hard walled rooms because they also pick up the reflection that bounce off the real wall and fire back towards the mic. If you put loads of absorption maybe even a duvet hung from a boom mic stand, a 416 has more voice and less 'room' bounce back. They can go a little further away giving more space for scripts or even side by side computer monitors, but they are a very neutral mic, with little at the bottom. If this suits your voice, fine - but it does not work for everyone. I doubt that anyone with a rich low voice like James Earl Jones would get on very well with a 416. Your list of location sound mics has nothing to do with voice over mics - just shotguns - and some of them long ones. I guess I'm trying to say that shotguns don't flatter and are revealing mics - which might not be best for voice overs. I can't comment on the clips I recorded because I have not listened to what I recorded apart from removing the pop as I pulled the plugs out and put them back - I just snipped out the cracks. If I get a chance I'll chop them up tonight and normalise them all.
I get the impression you just want to buy one mic and use it for everything. That rarely works.
I get the impression you just want to buy one mic and use it for everything. That rarely works.