
Milnoque
Resident Curmudgeon
I have never argued that the neck through design provides better sustain. I agree with you on that point. I was just trying to understand how a set neck could be more rigid.
why would it not?Why would it reflect that energy because it id neck thru?
I have never argued that the neck through design provides better sustain. I agree with you on that point. I was just trying to understand how a set neck could be more rigid.
why would it not?
Because of the reasons I have stated. Now if you'd like to come up with some reasons why it might this conversation may move on. If not, enjoy the rest of your day.
sorry man .... I forgot you are "he who must not be disagreed with".
I'm genuflecting towards you man ........ it's always ONLY the way you say it is ...... sorry I forgot to be properly deferential.
As I remember from 10th grade shop class there will be no real difference. The rigidity seemed the same. With ten examples four broke with the glue joint partially involved. We did not have test equipment for accurate measurements. Let's just move on.Take a length of timber. Flex it length ways. Cut a half lap joint in the centre and glue it with tight bond original.. Flex it and tell me what you find.
Take a length of timber. Flex it length ways. Cut a half lap joint in the centre and glue it with tight bond original.. Flex it and tell me what you find.
I have a preference for mahogany over maple as a neck wood. I would be interested in a non-traditional substitute for either of the two. Do you have any suggestions for woods that you've worked with for the neck that I should consider? I mentioned black limba earlier in the thread. English walnut seems a likely candidate. Can we put some options on the table for discussion?
Wow. I came back to this thread to say that it must be me, but these "build a guitar" threads just go so long I lose interest way before they wear themselves out- and I find the usual "I'm smarter than you are" crap, all over again.
(Sigh.)
It's not you dude, this thread was destined to fail, in the cave.
multi has a piss poor attitude and I think only one HR user believed this thread was really about designing a guitar.![]()
I have a preference for mahogany over maple as a neck wood. I would be interested in a non-traditional substitute for either of the two. Do you have any suggestions for woods that you've worked with for the neck that I should consider? I mentioned black limba earlier in the thread. English walnut seems a likely candidate. Can we put some options on the table for discussion?
Is neck through construction a settled issue? As I said earlier I like both set necks and neck throughs. I much prefer either to bolt-on.
nah ..... just go on with it.To the school kids:
The thread IS about designing a guitar. When you grow up you will understand that this is how a committee process works. The sidebar discussions are about whatever interests us as we go along. This is as it should be. You may go back to your spitballs now.
To Muttley,
You can move the thread if you want to, but I din't think it's necessary.
I've always felt that mahogany necks were too flexible leading to tuning issues.I'm still pretty interested to see where this guitar will end up, too. it's slow going, but there are a few good ideas getting kicked around, with several good opinions to support them.
are we still deciding on chambered vs. solid body? I vote solid, for the sake of being a more solid guitar. I like rugged guitars that don't feel fragile
neck wood? I have no opinion til I hear some more members' opinions, but I'm leaning towards mahogony