Stand on metal to ground myself instead of a hum eliminator?

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What do you mean still no guitar? The recording has the guitar in it. I made the recording via the USB from the mixer to the computer. Yes, my mixer is from 2012, it's been a great mixer though!
 
Dave apparently didn't play the clip far enough.

Comparing the first section to your clip with the guitar, the hiss was at about -47dB. The hum part was about -40dB, so 7dB of additional noise. The guitar section peaks at about -4. But, the hiss is clearly audible. I'm not sure where that is coming from, the ZED, your guitar, your volume settings (improper gain staging), pedals (do I hear a bit of a compressor? The hiss seemed to pump a bit).


The hum you are getting when you don't touch the guitar shouldn't ever be an issue, as you HAVE to touch the strings to play the guitar. The hiss, on the other hand, is a bit of a problem, although with a full band playing, most people wouldn't notice it. But people who listen for that stuff definitely would hear it. ~43dB S/N isn't a very good level.
 
Here are the noise profiles for the 4 sections (ignoring the first couple of seconds were you got some hum.

The main hiss is primarily around -90, but there is still some hum that pops up to about -65dB. The hum section is more like -52dB for the highest peak. The highest peaks for the music parts are around -20dB.

Hiss and hum.webp
Guitar level.webp


The hum is classic... .60 cycle and multiple harmonics which you hear more than the 60 cycle unless you have a subwoofer.
Hum profile.webp
 
No compressor, just a reverb pedal. I'm not certain about the hiss either, but the hum is definitely less using the MDA1. I'm thinking about buying a better one, at least to try it and see if it remedies the problem.

AI seems to agree the hiss is coming from the MDA1:

It seems like the MDA1, although it lowered the volume of the hum, it seemed to introduce a lot of hiss. Is that normal?
That's a very sharp observation, and you're not imagining things. It is a common and understandable trade-off, especially with entry-level gear. The hiss you're describing is likely circuit noise from the MDA1 itself, and here’s why that happens.

Why a DI Box Can Introduce Hiss​

The table below breaks down the difference between the hum you were trying to fix and the hiss you're now hearing.
[th]
Type of Noise
[/th][th]
What It Sounds Like
[/th][th]
Common Cause
[/th]
[td]Hum / Buzz (Your original problem)[/td][td]A low-frequency drone (50/60 Hz) that stops when you touch the strings.[/td][td]Ground loops. The MDA1's ground lift is designed to fix this.[/td] [td]Hiss / White Noise (Your new problem)[/td][td]A high-frequency "shhhhh" sound, like an old TV tuned to a dead channel.[/td][td]Electronic noise (hiss) generated by the preamp circuitry inside the active DI box itself.[/td]
When you use an active DI box like the Samson MDA1, it contains a preamp circuit that needs power (from phantom power or a battery) to boost your guitar's signal. Lower-cost electronic components in this circuit can inherently generate a small amount of self-noise, which you hear as a constant hiss. This becomes more noticeable when you:
  1. Increase the Gain: To compensate for the signal level, you might have turned up the gain on your mixer's channel, which amplifies both your guitar and the DI box's internal noise.
  2. Use a Noisy Power Source: If the phantom power from your mixer is noisy, it can introduce noise into the DI box.

Is It Normal? For the MDA1, Unfortunately, Yes.​

For budget-friendly active DI boxes, some amount of added hiss is a common compromise. You experienced a classic audio trade-off: you successfully traded a loud, annoying hum for a more subtle, but still present, hiss.

The Solution: A Higher-Quality DI Box​

This is exactly the reason why musicians upgrade to DI boxes from brands like Radial or Countryman. These units use higher-quality, lower-noise components and better power supply filtering specifically to minimize this kind of circuit hiss.
  • A Radial J48 (Active): Uses a very clean, switching power supply that is exceptionally quiet and has a high "signal-to-noise ratio," meaning you get more of your guitar's signal and less of the box's own noise.
  • A Radial JDI (Passive): This is a fantastic alternative. Since it contains no active circuitry and is just a high-quality transformer, it generates zero hiss. It can't add noise that isn't there. It would solve the hum via its ground lift and would not add any new hiss.
In short: The hiss is a limitation of the MDA1's design, not a fault with your gear. It solved one problem (hum) but introduced another (hiss). Upgrading to a professional-grade DI box is the standard way to get a clean, noise-free signal that is free from both hum and hiss.
 
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My apologies! i cocked up the first download of that clip (i was fine with "Save Target As" Bloody microsoft!) Yes, the guitar is averaging around -18dBFS and peaking to some -6dBFS. That 60Hz hum is at -40 or so.

I cannot find a review of the Samson DI I trust. The various Amazon comments are totally useless! How can some find the box "very clean" and others "signal to noise ratio unacceptable"? I have to conclude that box IS marginal in its noise performance, something totally unforgivable these days. It cost next to bugger all more to make quiet electronics as hissy ones.

The Zed10 will not have noisy phantom power unless it is faulty in some way. I used one for years now son in France has it and has used it to record classical guitar which would expose the pimples on a flea's bum! The mixer should give very quiet results from its high Z line inputs but make sure the boost is not applied.

If the Zed is an older 16 bit model it is worth checking that attachment and ensure that the gain is reduced to about 5% even less. You then need to 'hit' the converters that bit harder. The hash is not removed but is push down to about -80dFS.

But, this is definitely a hum problem and I am now convinced the whole rig lacks a solid earth.

Dave.
 

Attachments

  • sound control input gain.webp
    sound control input gain.webp
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Not sure what you meant by (especially the bold part):
If the Zed is an older 16 bit model it is worth checking that attachment and ensure that the gain is reduced to about 5% even less. You then need to 'hit' the converters that bit harder. The hash is not removed but is push down to about -80dFS.

It is older, from 2012 is when we purchased it. I'm not so much worried about the input levels in the computer. If I can hear the hum/hiss at the mixer level, then it will of course be an issue in the computer as well. I forgot to mention that I included a Presonus Blue Tube, and that's where the Samson is getting its phantom power. I'll try taking the Bluetube out and use the ZED's phantom power and see if that gets rid of the hiss.
 
Not sure what you meant by (especially the bold part):
If the Zed is an older 16 bit model it is worth checking that attachment and ensure that the gain is reduced to about 5% even less. You then need to 'hit' the converters that bit harder. The hash is not removed but is push down to about -80dFS.

It is older, from 2012 is when we purchased it. I'm not so much worried about the input levels in the computer. If I can hear the hum/hiss at the mixer level, then it will of course be an issue in the computer as well. I forgot to mention that I included a Presonus Blue Tube, and that's where the Samson is getting its phantom power. I'll try taking the Bluetube out and use the ZED's phantom power and see if that gets rid of the hiss.
I am not sure of the exact mechanism but the old 16 bit converters in many brands of USB mixers had this problem. Windows defaults the "gain" for the input device at 100% and this results in the hash, similar to what we see in your spectra. The fix is to reduce input gain drastically in Windows Sound Control (as per the attachment) to 5% or less. The hash now drops to around -80dBFS but you have to increase the analogue drive to compensate. A&H fairly quickly fitted 24 bit converters which did not have the problem. We later in fact got a Soundcraft Notepad mixer which was 24 bits and very quiet.

Note, this is not a slight on 16 bit converters overall. There were and still are 16 bit devices that deliver close to the theoretical 96 dynamic range.

Dave.
 
Level 5 wouldn't even be audible for the input level in windows?!? I have it at 76 as it is now...

1758756971489.webp
 
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