
Monkey Allen
Fork and spoon operator
Nah, nothing more until I've fixed it. I've got some free time in 2 more weeks. 

I'm not in front of my home computer and wouldn't trust the headset I have here for anything approaching critical listening, but I'll try to listen in the next couple days after work some night.Here's a couple of files. To keep it very simple I struck a single note...the C, 1st fret B string. I did this because over time I have narrowed the problem down to this note as the main offender. Not the only offender...but the main offender. For example, the C# note, 2nd fret B string has no such problem. The open B string has no such problem.
A word on the 2 examples (same guitar, same recording):
Guitar A - Only the note in question played, no EQ or manipulation
Guitar B - Only the note in question played but at the start of the clip I have a narrow Q at 796hz (note is G5) in place to reduce the problem by 15db. As the clip plays I gradually reintroduce the problem by slowly bring up the 15db back to 0 so the clip is back to normal. Later in the clip I reduce that 796hz again by -15db and then reintroduce it again.
So the problem I am hearing is at 796hz. There is an "overtone" (or whatever you want to call it) ringing a G5 note. This is 100% not the room or the microphone or anything else like that. It comes directly from the guitar. It is baked into the guitar. This is what the naked ear hears. As you can imagine...playing any chord with that 1st fret B string note involved creates complex problems. I hope and trust you can hear the problem just from striking the single note itself as in the examples. Since an acoustic guitar produces a very complex combination of sounds...when that C note is part of a chord it creates big problems. I can EQ the problem away to some extent at 796hz when striking the single note...but when the problem is part of chords...this complex combo of strings, notes and sounds it is not easy to get rid of.
I guess I'd recommend headphones for this with a suitable volume. But good speakers will show it too.
Can you post a photo of the first fret?
Okay, you either can't (or prefer not) to post a photo. Clock is ticking.Nah, nothing more until I've fixed it. I've got some free time in 2 more weeks.![]()
Only for you 60's guy, only for you.Clock is ticking.![]()
Is there any way you CAN record a chord with that C note in it that also has this resonance?So the problem I am hearing is at 796hz. There is an "overtone" (or whatever you want to call it) ringing a G5 note. This is 100% not the room or the microphone or anything else like that. It comes directly from the guitar. It is baked into the guitar. This is what the naked ear hears. As you can imagine...playing any chord with that 1st fret B string note involved creates complex problems. I hope and trust you can hear the problem just from striking the single note itself as in the examples. Since an acoustic guitar produces a very complex combination of sounds...when that C note is part of a chord it creates big problems. I can EQ the problem away to some extent at 796hz when striking the single note...but when the problem is part of chords...this complex combo of strings, notes and sounds it is not easy to get rid of.
a) I am pretty sure I did that a year ago and posted them to the thread. Recording chords that is.Is there any way you CAN record a chord with that C note in it that also has this resonance?
Guitars are just resonant beasts, listening to this solo'd, it's not really jumping out at me as problematic (though, it also sounds nothing like the slight resonance I heard in the video of someone else linked where I do think that was just the slightest hint of fret buzz on one note that wasn't fret perfectly). Maybe this would sound wrong to me in the context of a few more notes, but on its own, it sounds... fine?
A C note having a G overtone is I suppose a little unusual, the 3rd or 5th would be more typical, but... I suppose another thing worth trying is play that note while explicitly muting the open G string below it, just to rule out a sympathetic vibration of that open G helping to bring out the 4th overtone of the C. This probably isn't your issue, unless the chords you're playing all happen to not involve your G string which seems unlikely, but in the name of science...