W
wavewarrior
New member
Sounds badd azz to me.
Reminds me of the stuff tracked in "MorrisSound" recording studio.
Morrisound Recording
how's that polytone tuner?
Sounds awesome!
2204 update:
I used my freshened up 2204 at band practice last nite for it's last big test and it passed with flying colors. It was actually quite amazing to me. The raw growl with note definition and punch in the mids.....just outstanding.
Jonny: Do you have any spare tubes to try in the amp dude??? Might just have a bad tube & might save you some time, trouble, & possibly $$$....Just a thought....Keep us informed...
Hey Miner. No, I don't have any around and as it was an ex-demo unit, I did think it might be the tubes. The guy in the shop seemed to think it was a fault and as it's within 28 days it won't cost me anything for them to collect it and look at it and check it out. If they come back and say it's just the tubes, I'll tell them to put some in and send it back for my approval. If I still don't like the sound I'll get a refund. As it is, I think they'll check it out and send it to Marshall for repair.
It's not that great. It's a double-edged sword to me. I love playing music. I love jamming my shit. I like being creative and being part of a band. I hate playing gigs. I pretty much hate them all. I'd be perfectly happy just jamming in garages for the rest of my life. No one else feels that way though. Everyone wants to play fucking gigs all the time like they're some kind of fucking rock star. Most people get their kicks being on a stage and get really excited for the next gig. Not me. I like everything but the gigs. So I have to just accept that if I want to play in bands, I'm gonna have to do some gigs here and there.Greg[/B]: Cool man, glad it's working out for ya, I miss the days of playing in bands in a way, but there's no way I could do that now with the shift I work....
you sir, are a mysterious conundrum with ways not of this world.It's not that great. It's a double-edged sword to me. I love playing music. I love jamming my shit. I like being creative and being part of a band. I hate playing gigs. I pretty much hate them all. I'd be perfectly happy just jamming in garages for the rest of my life. No one else feels that way though. Everyone wants to play fucking gigs all the time like they're some kind of fucking rock star. Most people get their kicks being on a stage and get really excited for the next gig. Not me. I like everything but the gigs. So I have to just accept that if I want to play in bands, I'm gonna have to do some gigs here and there.
you sir, are a mysterious conundrum with ways not of this world.
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Before you send it in, pop the back panel off, turn the amp on to play, and lightly flick the tubes with your finger. The amp should stay silent. If you hear any ringing, pinging, crackling, or anything when you flick the tubes, that tube is bad. Replace it yourself and save some time and hassle. Preamp tubes are cheap. Your preamp tubes will be ECC83/12ax7 and your one output tube is an ECC82/12au7.
Lol, thanks man. On hearing it, it just seems the sine wave of the distortion is way too wide and it drops out completely on the lower gain setting and it feels like it craps out rather than maintaining the distorted sound like it should. I guess I'm just not experienced with these amps! The JVM is similar, but the distortion maintains better and doesn't really crap out, although even with the gain on around 0.1, it's the same gain-wise as the JCM on around a 5!
There is quite a difference in the sound between the two - the JCM feels like a more open sound, the JVM feels more eq'd, if you know what I mean. If I knew how, I wonder if I could make them sound the same.
The JCM 800 was never a high gain amp. It was a moderate gain amp that thrived on crunch, a big open sound due it's low negative feedback in the power section, and massive earth shaking volume. All those 80s hair bands that got high gain out the 800 used overdrive pedals. The JVM is an extreme gain amp that gets most of it's gusto from the preamp section. Even though the JVM is based on the circuit design of the original JCM 800, they're totally different animals.
I have the big versions of both amps. My JMP 2204 is functionally the exact same amp as an early 80s 50w JCM 800. My JVM 410 is the big daddy JVM. My JVM passes up the gain of the 2204 before I've even gone halfway through it's channels and modes. So yeah, if Marshall did their homework, I can totally see the little JVM having way more gain than the JCM-1. The JVM is designed to be a much more preamp driven, modern gain kind of sound. The JCM-1, if it's anything like it's grandaddy, is gonna be a more classic crunch kind of sound. Your clip sounded pretty dang JCM800-ish to me. That's pretty much what they sound like. Crunchy. They're not smooth and refined like the JVM.
For me, I like the 800 sound, and when I use my JVM, I don't even go anywhere near the gain it's capable of. I get a very convincing 800 sound from the Crunch channel. There's still two channels and 6 or 7 modes of higher gain beyond that!
Haha yeah there's nothing smooth about a JCM 800. I was gonna say your sound with the gain around 4 and 6 was pretty bad ass. Great rock and roll or punk sound. Yeah your mic position might be a little fizzy, but like you said it's hard to go on just from that. I'd leave it alone and do some simple test tracks with some drums and bass. Greenbacks do have the potential to be fizzy and crunchy with the mic in the wrong spot. That's probably not the absolute best speaker to be paired with an 800 type sound, but it'll work great with more mic position experimentation. I like the hell out of my Greenbacks and I go for 800-style sounds all the time. You just gotta find that sweet spot. Lately I've been liking mine with the mic a few inches off the grill and about halfway across the cone. I don't know about the JCM-1, but the real 800s are naturally pretty bright amps. So dialing the highs back or using a "darker" mic position might be the way to go.
If you wanna hear some all-natural 800s in punk rock action, listen to any later Ramones stuff, The Queers, Toy Dolls, Teenage Bottlerocket, The Lillingtons, The Huntingtons, Screeching Weasel, Bad Religion, etc. They were all big time JCM 800 users.
And of course a lot of the hair glam 80s bands used 800s with the help of some pedals.
Haha, not too bad. A little boxy but pretty good. It definitely has that Marshally style in the sound. I like it.I think my current mic position is halfway across the cone and an inch or so off the grill. It's in the iso-box, which has a heavy lid, so it's a right pain in the arse to adjust it! Still, it means I can play at full volume (at 1W!) when the baby's asleep upstairs.
My other half has been delayed. Here's a quick go at AC/DC, very badly played: -
Ok, here's some more fucking around this morning, outta time again, so I'll post the amp settings & shit when I get in tonight....
LDO 3-10-2014