CyanJaguar said:
it all boils down to one thing, and unfortunately its the ignorant consumer who gets burned.
The audio mags are trying to make money selling advertisements.
The "pros" are talking up products all in an effort to help their friends make money.
Everybody is trying to make money. The sooner consumers understand this, the sooner they'll understand that their is a lot of overpriced, overtalked crap out there, and the sooner they can get back to their instruments and start making real music.
Actually, Cyan, you're way off base on some of what you think it all boils down to. I don't work for an "audio mag". I can write whatever I want. There is not one penney of manufacturer's advertising that influences what I write. Actually, you're lucky to have people like me and Harvey around, because we don't work for anyone but ourselves.
True, the "audio mags are trying to make money selling advertisements" - but that's not at all the case in this or any other BBS forum where people can communicate with others and express their opinions - and that has absolutely no affect on me. In fact, that's why I don't write for them.
The consumer is actually in a GREAT place right now - and there is a lot of amazing gear available for dirt cheap. I come from an age when even
an Otari MTR-90 2" 24-track machine was $95,000.
It's a wimpy and unexamined stance to just assume someone is on the take. People like me and Harvey actually
inform the consumer - through real, actual experience with the gear we're talking about. I see so many recommendations for gear in these forums by people who either haven't tried it themselves or only have limited experience...i.e. they recommend what they've bought because that's all they know.
Here. Now. In my possession. I have
every mic made by companies like AKG, Røde, MXL, Red5 Audio. Not some.
Every one of them. And there's
a hell of a lot more gear on the way. I probably have the
single largest collection of new hot mic pres right here - that I actually use. You - and some others - might be suprised that there are some of us who do this for the love of it. What I get in return is that I continue learning. I had over $500 just in phone bills last month from talking with manufacturers and rounding up gear for The Listening Sessions. All these
sessions that are available for free on MP3 represent thousands of dollars worth of studio time and hundreds of hours of my own time and money out of my pocket. Maybe we'll make a few bucks on the CD's when they come out. Maybe not. I'll still continue doing The Listening Sessions either way.
Actually, my "niche" in all this is to
inform the consumer from a totally independent position. Why should that be so hard to believe? From my end 90% of what I do is a total blast. I feel lucky as hell to be able to do this.
I think - because of the net and forums like this - that the consumer is actually more informed than ever before.
Here's some of the gear that I regularly recommend:
A Designs MP-1 tube pre
API pres
AKG 414 B-ULS
AKG 414 TLII
AKG 451B
AKG K240's
AKG K141's
AKG D112
Behringer ECM8000
Behringer Ultragain Pro MIC2200
Blue Blueberry
Crane Song Trakker
Extreme Isolation Headphones
EV RE20, RE27
FMR Audio RNC
Grace 101
Great River MP-2NV
Great River MP-1NV
John Hardy M-1
M-Audio Tampa
Millennia M-2B
Millennia HV-3D
MXL 603S
Oktava MC012
Phoenix Audio DRS-2
Red 5 Audio RVD1
RADAR by iZ
Soundelux U195
Shure SM57
Studio Projects C1
Studio Projects B1
Studio Projects VTB-1
Vintech
Dual 72
The only pattern I see there is that it's all the best gear, IMO, in its class.
_____________
Dan Richards
Digital Pro Sound
The Listening Sessions