Soundcards:
- Latency
Creative Labs cards all use the same A/D converters. These converters are similar to some you might find in a few of the $20.00 Chineese soundcards. Latency means that although the card has full duplex capability (this means that you can record and playback at the same time) there is a delay time between the sound that you hear in your headphones or monitors (when you play your instrument to record) and when it actually gets recorded. If you're going to overdub lots of tracks for different instruments, everything will be slightly out of sync. Also, unless Creative Labs has changed things, these converters operate at 16 bit, 48000 Hz. Yes, you can set them to different rates, but the card will do a conversion to, and/or from 16/48k. Not the A/D converter itself. More latency.
A good quality audiophile or recording soundcard will have other features that work a lot better. All cards have latency, but if it's 5% to 10% of what you're going to get with a Soundblaster (= LOW LATENCY), you won't be able to notice it. Add to that if you change the bit rate and sample rate, the A/D converters will switch to the set rate, unlike the one set to 16/48k only, relying on an external conversion.
- Noise Floor
Consumer cards can be anywhere from not very good to even worse for recording. Cards made for recording are much much more quiet. The list goes on to things like frequency response, yadda yadda.
Yes you can record with any full duplex card, but prices have come down so much on the prosumer recording stuff that it doesn't make sense to look at the other stuff unless you need the midi/game port.
PCI cards cost less, but use the same A/D converters. That's the important part.
Microphones and Preamps:
Microphones put out a low level signal. The inputs to a soundcard that doesn't have a built in mic pre are line level. The mic will not have a loud enough signal to record, so you need a preamp to make the mic loud enough.
Dynamic mics do not use phantom power.
Condenser mics need phantom power.
Dynamic and condenser mics are both used for recording. Condensers are good at recording sounds from far away, like if you're going to record a drum kit with 2 overheads only.
There are a bunch of cheap preamps on the market, but to have really good sound, you need a really good preamp. If you're on a budget and you need a lot of preamps, you might want to look at getting a small mixer. An Allen & Heath Mixwizard mixing board can give you around 10 preamps for something close to $100.00 per preamp. They are not the best, but this is an excellent place to start. The thing is, you will need something like $1,000.00 to start looking at one but the quality is ok. Behringer and Alto are companies that make cheap, cheap, cheap mixers. They are not very good, but they work and they can get you started if you don't have much money. All of this stuff has phantom power if you need to use a condenser mic. There are a lot of other products - some work better than others.
For drum overheads, you probably want to look at a pair of small diaphragm condenser mics, sometimes called pencil condensers. You can start to record most other stuff with dynamic mics like the Shure SM 57.
If you spend a lot of time reading archives in this BBS or other recording forums, you will learn a lot about recording. Do a search for the topics you're interested in and see what happens.
Oh yeah:
Mics operate at low impedence. This is usually an XLR input. Instruments operate at high impedence. This is usually a 1/4" input. There is a difference.
Links:
Pro quality expensive stuff:
http://www.mercenary.com/
M-Audio:
http://www.m-audio.com/
Shure Microphones:
http://www.shure.com/
Ultra Cheap Mixers:
http://www.altoproaudio.com/html/mixers.php
Much Better Mixers:
http://www.allen-heath.com/
Something Different:
http://www.greatriverelectronics.com/
You Are Here:
https://homerecording.com/bbs/