
WhiteStrat
Don't stare at the eye.
This is what I'm work'in with over here. Doesn't look like much, but really gets the job done for hip/hop recording. And the cat keeps all the ladies occupied....
Good call with the kitty...

This is what I'm work'in with over here. Doesn't look like much, but really gets the job done for hip/hop recording. And the cat keeps all the ladies occupied....
This is what I'm work'in with over here. Doesn't look like much, but really gets the job done for hip/hop recording. And the cat keeps all the ladies occupied....
Well, I won't have a Neve Console, but I'll have an Allen and Heath GS 3000 in there.
It's a garage building.
I'll be putting some bass traps everywhere for sure, especially in those acute angles, but the whole building measures 32 x 24.
I really need all the booths, and this is the best way to use the space that I could figure without wasting any...
Looks pretty cool to me! I would personally move the center wall 3 or 4 feet into the control room to allow for a larger live space. You could put the door to the vocal booth on the other side of the wall. That would still leave you about 12 to 13 feet front to back on the control room and allow for a bit more respectable live room.
Just a thought.
F.S.
Here's a couple pics of my little rig. Using a 5 year old puter for this, I try to limit the number of plugins by using some outboard gear. In/On the rack from top to bottom is a SoundCraft E8 mixer, Alesis Midiverb III, Alesis M-EQ 230, Alesis 3630 compressor, AP Audio Patchbay, NAD 2100 Monitor amp. The monitors themselves I built. I have listened to them for many years and can hear things in them that I can't in alot of other speakers. Their response is reasonably flat but, I know them and that's what's important.
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I presuming it's a picture only, but you did mention "piano room". How are you going to get the piano into that room?
Yes, Actually we have done almost that. This drawing isn't quite to scale, but we have probably a 13.5ft control room, and a 16 ft or so main room.
We have the main room to the control room wall as a double 2x4, and the other walls we're doing 6" staggered studs 24" all using 5/8th sheet rock.
We have the main wall done, the splayed wall done and one other wall built but not in place yet (the one between the two iso booths).
I have the mains wiring done, and really want to get all the xlr's started from the rooms to the control room.
I'm thinking of using an 8 channel snake to the drum area, and wiring the rest with a roll of belden or something.
Probably 8 more channels around the main room, and 4 in each iso. Maybe 6 in the piano room.
Probably never need them all, but you never know. It's no harm done and very little extra expense.
Any advice on wiring??
I'll go from xlr's in the room to a trs patchbay straight into the desk and have the option of coming out the front of the patchbay into the various pre's that I have.
Thanks
Well I finally got a digital Camera and got to take a few pics of my place I built about 2 years ago.
What about having a sliding glass door on the vocal booth? Will that have an adverse effect on the sound due to reflections? I'm intending to maybe carpet the whole room out, or at least have it as dead a possible.As far as wiring goes, my only advice is be consistent and thorough. Maybe run a few extra cables to each room and just leave them in the wall perhaps... just in case. It would be a lot easier to do it now than later.Also labeling and having a "schematic", so to speak, of all the wires could be really handy in troubleshooting. I would also recommend running Cat5 (or Cat6) to each room. It can be used for just about anything (audio, low power, all kinds of stuff). Just my $0.02 tho.
Brandon
Yeah glass doesn't have good reflections, but a lot of people like to see each other in the studio. The sliding door for your booth is right in the first reflection point of the control room, which is a bad idea (you wanna hang some kind of absorption there). Maybe a single glass door with thick glass away from the first reflection pointn or swap the booth position with toilet, or whatever.What about having a sliding glass door on the vocal booth? Will that have an adverse effect on the sound due to reflections? I'm intending to maybe carpet the whole room out, or at least have it as dead a possible.
How much difference will a glass door have? See the pic a few quotes above..
Yeah glass doesn't have good reflections, but a lot of people like to see each other in the studio. The sliding door for your booth is right in the first reflection point of the control room, which is a bad idea (you wanna hang some kind of absorption there). Maybe a single glass door with thick glass away from the first reflection pointn or swap the booth position with toilet, or whatever.
Carpet on the walls is a really bad idea. It only affects high frequencies and is a fire hazard. Search "rigid fiberglass" in this forum.