Figure 8...?

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Zetajazz44

Zetajazz44

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I'm fairly new to the recording scene, but in what application would one want a figure 8 polar pattern? I've thought and thought and just can't come up with an answer... :confused: I've got a Rode K2 and it has adjustable patterns from the power supply and I've just not found when the figure 8 would be useful...
 
Most commonly used in stereo techniques Blumlein and M/S. Otherwise can work for recording duos. I think this was covered in the big mic thread, which if you didn't read already, you probably ought to :)
 
I also use it on acoustic guitar once in a while, over the soundhole, pointing at the bottom and head, sounds different and in some cases, works well in a mix
 
Zetajazz44 said:
I'm fairly new to the recording scene, but in what application would one want a figure 8 polar pattern? I've thought and thought and just can't come up with an answer... :confused: I've got a Rode K2 and it has adjustable patterns from the power supply and I've just not found when the figure 8 would be useful...
A lot of us "old fart" engineers came from an era where consoles had an 80Hz knob for lows, and a 10kHz knob for highs, and that was about all the eq we had.

We quickly learned that the adjustable patterns on mics could be used as an outboard eq - omni for flat, and as we turned the polar pattern knob towards the figure 8 side, we got more bass boost (from increased proximity effect). Figure 8 patterns are a pure pressure gradient pattern; they have the most proximity effect.

All multi-pattern mics work the same way, omni at one end, figure 8 at the other end, and all the various cardioid patterns in between (by varying the mixtures of figure 8 and omni). So in addition to controlling the amount of room pick up, you can use the pattern knob to control the "tone".
 
Major use for them is their ability to reject other instruments/sound sources by doing what even young fart engineers would call: "working the nole." :D
 
There are many uses... for example, figure 8 can also work good for when you want to record two singers at the same time who want to face each other while singing.
 
That's why most mics with a figure-8 pattern come standard with a pack of breath mints.
 
Thanks for all the answers! This was my first post on this board and I found it very helpful... Think I'll hang around... :)
 
Big Kenny said:
I also use it on acoustic guitar once in a while, over the soundhole, pointing at the bottom and head, sounds different and in some cases, works well in a mix

I like that sound on solo acoustic and will soon try it in a fairly sparse mix.
 
variable pattern is a great "eq" for a mic. I've got a mic that sound just like a ribbon mic in figure 8
 
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