B
BMWerks
New member

I guess after 40 some years in the art&craft of recording, mixing and mastering you tend to forget how much fun you really had waist high in magnetic tape and all else primative procedures that (by today's standards was a waste of valuable recording time) went along with it.
The time it took to mic a Fender Band Master (amplifier) or, drum kit and get reasonable tracks down, I could have gone to church, done my grocery shoping and got my hair cut. But it was all fun and exciting!
Seriously though, even with trained ears, it's nearly impossible to tell the difference between a well amp-miced live guitar and some of the guitar amp simulators triggered from key boards and other triggering divices. A little creativity and the right proccessing? Bingo! It's done in seconds. (kind of takes the fun out of all the set-up/prep work doesn't it?)
Same with pan pots. You should hear what they sound like when they get old and the rotories get gummed with dust and oils and crumbs.

OK. OK. I really never had to walk to school 10 miles in a snow storm either. That was a long time ago. However, as I'm writing this, there's sure to be some guy out there twisting a scratchy panpot and rewinding asetate. To each his oun. What ever floats your boat.

Yes I do admit that human voices enjoy a "richer, creamier" sound on analog tape than does digital. But processed in just the right way? And if you have some decent mastering skills? The choices are obvious.
I'm not saying you "purist" analog guys are oblivious to the latest technologies or are stuborn, or close-minded or anything like that. And I'm truly sorry if I offended anyone's artistic sensabilities. I just called you babies to get your attention.
I do love you guys.

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