Which vocal/guitar mic?

  • Thread starter Thread starter JacobShah
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Best vocal/acoustic guitar mic 4 $100-$175


  • Total voters
    17
J

JacobShah

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Hey everone, I'm sure this question has benn asked a million times before, but I can never find a good answer. :confused: Right now I use my SM57 for guitar, vocals, violin, etc. I need something clear, and not to expensive for vocals and acousitc guitar. My range is $100-$175, I just really need to hear reviews for actual owners Thnx in advance, Jacob
 
not on the list

I have been using a EV Cardinal mic (condenser) with great results so far just looks a little odd or retro.

The other I have been using is the Sennheiser E845 it really is a vocal mic but works very well on acoustic guitar and banjo.

Last but not least EV's version of the SM57 its a N/D478 for the lack of a better description. Which I think sounds better and clearer but that is my opinion :D
 
I voted twice for the C1...I have a very early one and it served its pourpose very well...Id discribe the 3035 as a decent utility mic that instead of making everything sound big...they are easier to mix...so there is an advantage to having both.
 
Cad M179

I've used most of those mics you've got up there in the poll including the C1 and 3035 and must I say that the Cad M179 would be the clear winner for your applications. It's also the only one on your list that offers variable polar patterns which makes it much more versatile than the others.

You might also take a look at the Kel HM2-d in your price range http://kelaudio.com/hm2d.html Between my Cad M179 and Kel HM2-d, I feel like I've got the bases covered.

Just my 2 cents :)
 
Let's see- a couple of mics that haven't been mentioned:AKG Perception 120 (the 220 is out of the stated price range currently), MXL V67G (yeah, they're still around). My personal favorite close to that price range is AKG C2000b, which can be had used on ebay in that price range. You used to be able to get them for around $100, but people are starting to realize what a good mic it really is.-Richie
 
Let's see- a couple of mics that haven't been mentioned:AKG Perception 120 (the 220 is out of the stated price range currently), MXL V67G (yeah, they're still around). My personal favorite close to that price range is AKG C2000b, which can be had used on ebay in that price range. You used to be able to get them for around $100, but people are starting to realize what a good mic it really is.-Richie

Ive been thinking about 2 C2000b's for use as overheads...since I cannot afford 2 C414's...are they really compareable?
 
In that price range I like the Mxl V67G as Richard mentioned.
 
Yo Darrin! Is the C2000B "comparable" to a C414? No. They are different animals entirely. The C414 is a bright, transparent multi-pattern large diaphragm condenser mic with a wide variety of studio applications. The C2000B is a neutral (not particularly bright, or dark), colored, cardioid, small diaphragm condenser mic with a wide variety of studio applications.
The C2000B works very well as a pair of overheads. It has some color to it, though, like Oktava MC012, which makes it ideal for rock, blues, and metal. I would choose a more transparent and brighter mic (mostly I use Neumann KM184's, but C414's work fine)) for Jazz, country,punk/pop overheads. However, in addition to being a very usable overhead, C2000B is a pretty good vocal mic, especially on women, an excellent mic on toms, Djembe, Conga, or any other hand percussion, and a truly *kickass* cab mic. No kidding- up close and personal. I'm not talking about an ambient (room) mic. If it's a real loud cab, use the -10db pad. It is the most underated AKG mic. If you want the sound of a C414 cheaper, the Perception series actually sounds more like a C414 than C2000B. You could shell out for 2 C214's, but why? For that price, you can find used C414B-ULS's out there. One nice thing about C2000B is- it is not made in China, and doesn't sound like a Chinese condenser. It actually sounds to me more like a Russian condenser. It's one of the very few small diaphragm mics that is in a more open housing than a pencil mic, so it is not prone to popping. It can also handle high SPL's. It's actually preferred by several AKG engineers over the C414 as a percussion mic, because it's small diaphragm responds well to fast transients. When I travel with my micro-recorder, It, and a SONY one-point stereo mic (ECM-MS957) goes with me. It's the cheapest mic I own which can be used to track *anything*. A lot of times, I use either the one-point mic, or the onboard stereo condensers to get the big picture, and the C2000B as a spot mic for something quiet I want to bring out in the mix, like a harp soloist in an 88 piece orchestra. It is also my "idea" mic, for basic vocals and acoustic.-Richie
 
I'd pick up one (or two) of the Naiants for the guit and keep the 57 for vox. You could also try the Naiants on vox.

Here's the Naiant application index
http://www.naiant.com/applicationmatrix.html

DEFINITELY a good idea. Killer mics for the price, plus you'll get a double-micing option (soundhole & neck) rather than just one point on the guitar. Also check out Karma Mics (http://www.seemics.com/products.html). I've got the K35 LDC and the K micros (the 7 pack) and the LDC is great, as well as the Micros. I wouldn't ever use them for drums (like they're advertised for), but they're great for acoustic. Surprisingly full and bright.
 
In your price range you can still find new AKG perception 200 a good vocal or guitar mic
 
I just saw one on Craigslist for $30 more than new...lol.

Id actually recommend the AT3035 since you can get those for arround $50 used and they blow away those cheaply made perceptions and AT20 series mics.
 
Hey everone, I'm sure this question has benn asked a million times before, but I can never find a good answer. :confused: Right now I use my SM57 for guitar, vocals, violin, etc. I need something clear, and not to expensive for vocals and acousitc guitar. My range is $100-$175, I just really need to hear reviews for actual owners Thnx in advance, Jacob

For your applications - which include vocal, acoustic guitar AND violin I would suggest either a new, stock MXL v67, a FET / transformer-coupled mic that has enough midrange presence to project vocals and acoustic guitar well but not too much brightness or edge that violin would get strident, or a used Oktava MK-319, also a FET / transformer-coupled mic. Both mics are about the same price. The Oktava will have about 4dB lower self noise and a bit better sibilance control. But the presence of the transformer output lends a certain "radio radio" polish to the their overall sound.
 
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