
Tadpui
Well-known member
Yeh, thats how they were supposed to work as per LF's design. The so called "darktone" was popular with jazz players and still is. It's really only us blue note and soul jazz buffs that really still hanker after it these days. CBS went and futzed it all up when they got the gig...![]()
I'm a little curious what it sounds like. Seems like it must have been pretty dark sounding if only the jazzers were excited about it and most everybody else just modded it otherwise.
hmmmm ..... I'll have to ponder this but:
I don't even have tone controls on my Stinnett because I never use them on any guitar so my initial reaction is that I may go modern in that particular area .... in fact, I might go with a volume for each p'up and no tone at all.
Gig time ..... see's ya' later ...... (I would be very happy if I ever got a chance to try some of your Muttley p'ups).
I'm not a big tone control tweaker either. But on my Tele, I use the tone control a lot. They're twang machines, which is what we expect by plugging one in. But sometimes I need to tame mine a bit by rolling off the high end just a little. They do darken up when you roll off the volume as well, but sometimes I want all of the volume but less of the high end. They're pretty freaking bright and brittle with both controls at max.
Also, just curious if any of you other Tele owners have troubles with the neck pickup feeding back pretty terribly if you try to play with too much volume and gain? I know that's not the strong suit of a Tele, but I've tried it in the search for different textures and holy crap the neck pickup on my American Deluxe just goes ape shit.