
Lt. Bob
Spread the Daf!
you're kidding me right?It's just a simple little mod.
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Is that the actual mod?
Seriously?
Tell me you're kidding ....... I wouldn't do that to even a cheap guitar.
you're kidding me right?It's just a simple little mod.
![]()
you're kidding me right?
Is that the actual mod?
Seriously?
Tell me you're kidding ....... I wouldn't do that to even a cheap guitar.
Ok...as much as I wanted it to work for me, the ISO cab just ain't gonna cut it for real/keeper tracks....doing some testing today with it, while the lid's open, it seems to do pretty good, but when I close the lid, it makes it sound weird, with the hollow sounding mids/low end I'd been struggling with...But, like I've mentioned before, I can still use it with my DSL-1 H for low-noise di recording (I've mentioned I could use ampsims, but it just ain't the same, I play different & it feels different when I use my real amps), but will have to use the 4x12 (or possibly a 1x12 or the ISO cab with the lid open) for my keeper tracks...
Here's 3 different takes of the same riff/recording, exact same settings (other than I flipped the 0.1w switch to see if it made any difference in the tone) on the amp...same mic position, everything....I did add a gain plug-in on the low power track to make the volume as close as I could to the other 2 clips...
Signal chain:
LP (di) > DSL-1 H > T-75 > '57 ISO cab
Amp settings:
Red Channel
Bass: 5
Mid: 5
Treble: 8
Deep: On
Mid Shift: Off
Volume: 5
Gain: 3
DSL-1 Open ISO cab
DSL-1 Closed ISO cab
DSL-1 low power Closed ISO cab
So, really disappointed with the Randall ISO cab, but, live & learn...It's not the end of the world, as (like I've mentioned 100+ times...lol) that I can still use it to track di's, but for real tracks, it won't be used...In a way, I wish I'd kept the home-made ISO cab, but in reality, that thing was a pain in the ass, & while the results were pretty good, it just wasn't worth fucking with...
Something I've noticed today is the DSL-1's tone is pretty much the same when switching between the 1w & 0.1w modes...I really can't tell any difference between 'em, other than the volume drop, which is actually a good thing for me at night...
Lemme know what you guys think, off to work!!!
yep ..... live and learn I guess.Well to me the open lid sound is the best, but they all have a boxy quality to them. The closed lid sounds seem really choked off to me. I'm afraid it's true - that iso cab sucks. Your 4x12 sounds, and even your old iso box sounds, are vastly superior.
Cool prop & the original didn't sound too bad either.
Now, I wonder whether folk will argue about the influence of the density of the wood on the tone?
I kinda like my cabs on the floor ..... that way I can mic a bottom speaker if I want the 'boundary effect' and a higher one if I don't. That eliminates the need for any stand.Dinky? DINKY? IN Oz that was a very popular brand of caste metal minature toy cars as well as the generic name for a toddler's front wheel pedalled trike.
Greg, Milk Crate - yes, I know but I had my amp heads stacked on one side of the room and the cabs on the otehr so I could tweak without feedback and also reach the DAW consol stuff with guitar strapped on.
Now I'll have to re consider - that was one quite robustly constructed crate too.
well, and in fairness it's been years since I've had a 4x12 cab.
No toans today guys....tomorrow's my birthday, so I'm going out to celebrate tonight....won't be back until tomorrow, gonna make an all-nighter out of it...big 44 tomorrow......
On the gear side, GAS has struck again...I'm thinking of making my strat into a S-S-S, instead of the H-S-S, so I'll have true strat tones with it....I could put a coil tap on it, but in my experiences, it just isn't the same (on the guitars I've had anyway...)....it's close, but still not quite there....anyway, I'm looking at this guitar pretty hard:
Jackson DK2MQ Pro Series Dinky Electric Guitar
I almost bought this guitar last year, but chose the LP instead...and yes, I've still got the Ibanez which is pretty much the same thing, but IMO this thing looks fuckin' killer....I love the color, & love the maple fretboard....Duncan JB in the bridge, & a '59 in the neck, with a 5-way switch....This could be my Christmas present to myself this year......
I thought these things were indestructibel...
I had my Marshall Superbass & a Jade Clubman amps stacked on top of this crate which was stacked upon a similar crate.
I noticed they were leaning a little today.
Upon closer investigation I removed the amps to forstall a disaster.
The 2nd crate is still in good nick!View attachment 90213
Could've been unpleasant - not for the amps - they're made of tough stuff but the gear it was leaning towards - EVERYTHING on my mixing desk!
I go back and forth with that ...... I feel like a mic back a foot or two allows the sound to develop and it helps tame any spikey freqs ....... but close micing is so much easier ....... just eliminate the hell outta any variables and you have a rock solid sound to manipulate as you wish. In the last decade or so I've really had less interest in experimenting with sounds and just close mic. Maybe that's why I don't have fun recording anymore ............ maybe I need more playing around like that.
It did use to be fun just trying things for the hell of it.
yeah, that's the blessing of close micing and why the people here that freak out about room treatment in your tracking room are wrong.That 2x12 I had seemed a lot "bassier" when it was on the floor. But that was the sound out in the room. The mic on the grill didn't care if it was on the floor or on top of another cab.