
JDOD
therecordingrebels.com
Okay, here's some clips miking my entryway.
First thing I did was roll a cab out there and laid it down so it was pointing up into the universe.
Then I ran upstairs and hung some SDCs over the upstairs railing. One pointing up, one pointing down. The up one was with the idea of catching ceiling reflections, the down one was, well, down towards the cab.
Death from above...
Death from below?
So here's the clips.
Gibson Angus SG - signature Angus bridge pickup
Marshall 1987 50w Plexi reissue
Presence - 6
Bass - 0
Mid - 7
Treb - 7
Vol 1 - 10
Vol 2 - 0
High input 1 only
Marshall 1960B 4x12 - Celestion G12-65
SM 57 on axis, on grill, about halfway to edge
Two Audix ADX51 SDCs about 25 feet away
No EQ or processing in DAW
So first up, just the close mic by itself:
Close mic
Next, close mic center + "Up" room mic panned left:
Close center, up room mic L
Next, close mic center, "down" room mic panned right:
Close center, down room mic R
Next, close mic center, up panned left, down panned right, all tracks balanced 100% equal:
Close center, up left, down right, all equal
Last, close mic center, up mic panned left, down mic panned right, room mics dropped -4db:
Close center, up left, down right, room mics dropped -4db
I made the mistake of not bouncing out the room mic tracks by themselves, so sorry bout that. This is what I got.
The takeaway for me, it's not worth it. It's not worth the trouble. And just about everything in the house rattled under the crushing weight of cranked Plexi. I spent a good amount of time just securing everything that rattled. Maybe if I had bigger and better space I'd like it better, but not like this. Hey, I gave it a try. My drums do better out there than loud cabs. One more thing I can try is leave the cab upright and mic the hallway leading out of the entryway. I have done that many times for other people and the results have been good. I've just never done it for my own stuff.
Just got around to listening to these. Sounds like you've chucked the cab down a well... which I suppose you have.
The best one is the last one with the -4db on the reverb. It does just sound like a really good room impulse though. I can understand why you said that its not worth the pain in the arse factor.
Cheers for giving that a go though - I don't think I'll be fucking with it any time soon.