G
Greg_L
Banned
I know nothing about replacing a speaker. Is it something a newb could do?
If you can work a screwdriver, you can replace a speaker.
I know nothing about replacing a speaker. Is it something a newb could do?
Honestly, I really think that speaker isn't doing you any favors. I don't know why Marshall opted for that speaker other than to keep costs down. Speakers make a huge difference. That Tadpui guy has the same amp with a Creamback in it and he's getting some sweet ass tones. I'm not trying to dog on your amp, that's just what I think is happening.
Yep, I think it's a decent price too, a new one is about $145....hint hint....lol...There ya go Trip, Vintage 30. Great speaker.
And so it begins!
When my kids went to the school right across the street from us, they told me they could hear my drums from inside the school. Awesome. No complaints though.
If you can work a screwdriver, you can replace a speaker.
Nothing to it dude, there's 4 screws in the speaker itself, & probably 4 screws holding the back plate of the amp on there...You should be able to swap 'em out in less than 10 minutes, probably faster...Ugh, sounds complicated.![]()
minerman - I saw your add. Let's see how some of this advice pans out and maybe we'll talk.
Nothing to it dude, there's 4 screws in the speaker itself, & probably 4 screws holding the back plate of the amp on there...You should be able to swap 'em out in less than 10 minutes, probably faster...
Might trade for something dude, I'm not hurting for $$$, I'd just like to see these speakers be used, as they're just sitting in a box right now...Whaddya got to trade on????![]()
The band I've been playing with for 8 years now, we practice in one of the guy's garage. Usually friday night if we have no gig. It's fucking loud as shit in there. Two 100 watt halfstacks, 300 watts of bass, PA, and me on drums. It's super loud. Way too loud, but that's how we do it. We stop at 10 pm sharp. Been doing it for years and no one's complained. The cops have come by a few times just to snoop around, but nothings ever come from it. We rock out and cut it at 10. No problem.
showoff
my next step is to get OC703 underneath the floorboards in my practice room. Maybe then I can get through half a song with the band before the neighbors start sending emails
OK I did some testing tonight. First off, lowering the volume did not really have much of an effect. So I left it where it was. Dialing back the bass (from 8 down to 5) had an effect, but less than I would have imagined. Turning the guitar tone knob from 10 down to 8 took out some of that high end scratchiness. Moving the mic out to about an inch away tightened the lows and low mids a bit. So here is what I did...
All with the LP, vol 10, tone 8.
Sample #1 Settings
Channel - Crunch
SM57 - just outside dustcap, on grill
Gain - 6
Vol - 8
Treb - 3
Mid - 5
Bass - 5
Presence - 3
Resonance - 0
Crunch #1
Sample #2 Settings
Channel - Crunch
SM57 - just outside dustcap, 1 inch away
Gain - 6
Vol - 8
Treb - 3
Mid - 5
Bass - 8
Presence - 3
Resonance - 0
Crunch #2
Notice the only differences between these two samples is the bass setting and the mic position. #1 has a lower bass setting, but gets more proximity effect. #2 has a higher bass setting but less proximity effect. Essentially they get their bottoms in slightly different ways. In the end moving out the mic didn't fully compensate for the increase in bass boost. So you'll notice its low end is more pronounced.