sweetbeats
Reel deep thoughts...
When both STEREO and MONITOR out jacks are connected to loads, what are they? Are they both connected to the Adcom?
I always appreciate a good constructive critic. Thanks for your honesty! My skills improved since then, because obviously I had to improve in order to keep on working on the machine. After all, I did recap the entire machine so I picked a little experience along the way. I use top quality instruments, hakko soldering station, never go past 700, and also use a Hakko desoldering gun which changed my life. Since then I havent lifted a single trace. At first I was working with rudimentary tools and was very impatient.I appreciate your honesty.
So your machine was damaged goods from the start…not maintained or cared for properly, and if connections were actually rusty that’s really not good. The 388 is a finicky machine if not cared for or maintained properly and part of the reason is how the different power rails propagate throughout the machine. You have to know what can and what cannot be isolated for testing, etc. For instance you don’t want to turn it on with certain cards uninstalled. I had an issue where I had one of the cards out of the cardbay to access one of the bias amp PCBs and within 30 seconds or so of powering it up I could smell a hot electrical smell…something was overheating on the bias amp PCBs…I shut it down quick. It made no sense why it would do that, but looking at the interdependence of how power goes through the motherboards and through cards, that means certain pathways for power or ground are interrupted if certain things aren’t installed, and power always looks for the easiest path to ground. I determined at that point to never power it up without all the cards installed, and to make extender cables in order to service the different cards…changed my view of the machine from one with modular plug-in cards to one whole system that needed to be all installed when powered. The only card that can be isolated is the power supply, and that’s only if you have a custom extender cable set and can leave the output connector disconnected. Having cards with rusty or heavily oxidized connections could create a situation similar to not having the card installed at all.
Speaking of connectors…those card edge connectors…again, the 388 is relatively fragile. I always inspect the connector housings to make sure they are straight, and the two small clips are in place that keep the connector housing fastened to the card. Those clips often crack or break, so I like to put a small bead of superglue between the connector housing and the card to keep it in place. And then reflow the solder joints. And then it’s also often important to inspect the corresponding pins on the motherboard because it’s easy for them to get bent. People don’t take care when installing or removing the cards, or realize how fragile they can be. The card guides by design are poor or non-existent, so the operator has to be careful the connectors on the cards are aligned with the pins before seating. And people don’t do this. Or the connector housing clips are snapped and the connector is cockeyed and it’s not going on right, so instead of doing the right thing, removing the cards, inspecting and remediating anything that’s not right, they just shove harder. Not kidding. I’ve straightened a fair amount of pins and repaired a fair amount of connectors on machines I’ve gotten because of those kinds of negative practices. So you might need to look at some of those things and be careful to have all cards installed when powering the machine.
So, yes…see my comments above about the connectors.
And soldering…you mention several times traces lifting. No offense…you need to work on you soldering skills, or change your iron or the tip type or devote some more attention to prepping the tool or the work surface…probably a combination of all of those. As I’ve mentioned many times over the years, the phenolic resin PCBs used in the 388 and many, many other devices, or more fragile and require more skill to work on than an equivalent assembly using a glass fiber board. They don’t take the heat well and traces do lift and break…it can be a real PITA. But, truly, with the right equipment, and properly maintained equipment, and good technique, you can avoid all of those maladies and preserve the integrity of your PCB assemblies while doing the work. The more work you do without the right skill or equipment is only inviting more and more problems. You should only have to apply the tip for a second or two at the most when removing or applying solder. And a tip temp of 700F is sufficient. Oh and prepping and maintaining your tip and the work surface is critical…that greatly reduces the chances of having to keep the tip on the work for too long. So I don’t know where you’re at with all of that, and, again, I’m not meaning to offend, but if you’re having trouble with traces lifting then there is room for improvement with your soldering skills and equipment.
Honestly I really can’t recall which ones I swapped. I will open it and inspect it and get back to you on this one.What connections did you erroneously swap? Use the number designation on the boards or post a pic of the ones you swapped.
Smoke is bad. It always means failed components, and or pathways. Once there’s smoke you can’t ever expect it to work right until you get to the bottom of what failed, WHY it failed, and repair every bit of the damage. You can’t just swap connections so they are correct, turn it back on and expect it to work. You can actually damage it further by doing that. So what connections did you swap?
I don’t honestly know how much help I can provide. Your machine started off very compromised, not all of which may be resolved, and there are new issues that have occurred along the way, some maybe the result of compounding pre-existing issues with new problems and you couldn’t have known what was going on, and some the result of unintended errors on your part. Again, no judgement at all. I’ve swapped connections, forgot connections, accidentally touched a metal tool tip where it shouldn’t go, put caps in reverse polarity even after triple-checking…years ago I killed my mint condition 58-OB because I installed an amp card offset by one pin…one pin! Great, great care must be taken, slow planful process and procedure when working. If you don’t, the risk factor for unintended consequences increases many-fold. I’ve done plenty of hasty work and been lucky, but I always have in my mind I might deeply regret it as I proceed hastily. That’s the reality. And the 388 is:
Complex, and…
Thanks for your insight sweetbeats. This is no surprise to me, I’ve been expecting that kind of outcome. This is really sad but I have to give up to a certain point. I havent been careful enough and havent been well enough supervised. I learn a lot from that. AND the 388 is especially finnicky, it is very complex. I would say that for the moment I can finish my album on it but if only I could fix the motor issue it would really help. The issue is degradating, yesterday the problem would happen twice, sometimes thrice in a row. I can live without DBX and collapsing tracks.Fragile (relatively speaking)
You’re not going to like this, but I think if it was me I’d be considering saving up to buy a known working 388 that’s been maintained and use the current one as a parts donor. You still have complicated problems occurring across multiple systems. It is going to be very difficult at best to sort them out, and because of the poor condition the machine was in when you purchased it, it’s hard to say when the next issue will rise up…black rain cloud I know…but from personal experience, with a machine like your 388, it is likely you will never be on top of all its problems, at least not long term…it is likely to always have some issue or issues.
Try this…does the Adcom have another set of inputs so you can have both the RCA STEREO and MONITOR outputs connected to the Adcom? If so try that. It doesn’t matter what inputs they are, I just want to know what happens with the hum if both sets of outputs are connected to the same device. Oh…and do either the Adcom or headphone amp have grounded power cords?I do have XLR to RCA cables....I didn't think to try the stereo XLR outs to the Adcom and the monitor outs to the headphone amp. I can see if that has any effect on the noise. I was hoping to use all three outs. Stereo RCAs, Stereo XLRs, and the RCA Monitor outs if possible.
So the gremlins seem to have moved on...I did try exactly what you suggested. The Adcom has six inputs plus a phono channel so I was able to run both the MONITOR and the STEREO outs to the Adcom and had no noise. I went back and tried the initial hook up again AND HAD NO NOISE!
I did go through and clean all the contacts on both the MONITOR out and the RCA IN on the headphone amp. I guess its possible I wasn't making good contact on one of the connections? I just put everything through its paces again tonight and there is no additional noise. Sorry I wasted your time Sweetbeats...
It took me a minute to figure this MONITOR section out so I thought I'd share for anyone else that is following and may have struggled with this...
In order to use the MONITOR section gain and pan controls the RED L/R under each channel assign needs to be up (off) in order to use the Gain and Pan controls. If you push even one down, all eight monitor channels quit and you'll only hear that channel you engaged. I've been through the manual several times and have struggled to figure this out. It's nice having that flexibility with running a signal to a headphone amp. I can adjust the mix in the headphones wo adjusting my overall mix on the faders. So if I want more drums in the headphones i just turn them up in the monitor section and leave my fader alone.
I always appreciate a good constructive critic. Thanks for your honesty! My skills improved since then, because obviously I had to improve in order to keep on working on the machine. After all, I did recap the entire machine so I picked a little experience along the way. I use top quality instruments, hakko soldering station, never go past 700, and also use a Hakko desoldering gun which changed my life. Since then I havent lifted a single trace. At first I was working with rudimentary tools and was very impatient.
Honestly I really can’t recall which ones I swapped. I will open it and inspect it and get back to you on this one.
Thanks for your insight sweetbeats. This is no surprise to me, I’ve been expecting that kind of outcome. This is really sad but I have to give up to a certain point. I havent been careful enough and havent been well enough supervised. I learn a lot from that. AND the 388 is especially finnicky, it is very complex. I would say that for the moment I can finish my album on it but if only I could fix the motor issue it would really help. The issue is degradating, yesterday the problem would happen twice, sometimes thrice in a row. I can live without DBX and collapsing tracks.
As soon as I finish that album I might consider another tape machine. Something like an MCI. But yea, I got to finish what I started.
This make sense! The Adcom does have a 3 prong power cord it's model Adcom GFP-815. But working to get the other two to be grounded makes sense. Or at least connected to the Adcom. The phono jack has a threaded ground post..can I tap off that?Well it’s not really a waste of time because of the issue was there once it might return…this kind of thing is not usually related to dirty contacts because it would be the shield of the RCA connector, which has gobs of surface area relative to just about any other connector type. The surface would have to be so corroded or oxidized to break contact. Here’s what I’m guessing is happening when the hum occurs: neither the Adcom or the headphone amp have three conductor power cords, right? The 388 doesn’t either. Depending on how the jack shields of all those devices bond to the chassis, the “ground” (which because of the two-wire power cords is potentially different for each device because none of them reference a common “earth”…their individual “ground” is floating), may or may not be completely isolated between one or more of the devices. You can check this by getting out your DMM, turning on all the devices, and touching one probe to one device and the other to the other and measuring for voltage. If it is anything but zero, there is a voltage differential between the ground of each device. And now if the jack shields float from the chassis in one or the other device or there is a high impedance path to the chassis, that voltage differential now allows your cable to be a powered antenna and lock up hum, RF or UHF interference and induce it to the signal conductor. To mitigate this all you typically have to do is run a wire between the chassis of the two devices with the chassis voltage differential. Some devices even have a threaded lug on the back for this purpose. If you *really* want to do it right you have all devices’ chassis reference a common ground, typically the ground prong in your grounded power outlet. This is best because it avoids loops…everything ties back to a common reference. So check some of that out if it comes back. I suspect it’s not a matter of something that’s broken, it’s a simple matter of dealing with the common problem of proper grounding and “pin 1” or jack shield reference to the chassis.
To take it a step further, turn to page 31 in the manual. The MONITOR mixer monitors PGM groups and tape tracks. That is it’s purpose. But the 388 employs automatic source switching depending on the status of L-R assign switches, the CUE/PGM switch, the INSERT switch, the track arming switches and the current state of the transport. It’s kinda fancy…cleans up the control surface negating the need for mechanical source switches, but it can be confusing and aggravating if you don’t understand how to use the controls that are there. Personally I like to do my own switching, but the auto-switching is what makes it nice for rolling punch-ins and the like…it affords the machine the ability to let you listen to the track and then automatically switch to the input when you punch. This was not new technology…but Teac bundled it with global mode switching as well for different stages of the recording process. So study the chart on page 31 because it lays out exactly what the MONITOR mixer source is depending on the state of the controls listed above. They could have done a better job explaining it. And don’t get caught up in trying to understand why the terms CUE, PGM and INSERT were used. IMHO some of that isn’t very intuitive. But that’s just me. But try and make friends with it because it’s a nice feature block.
Here’s what I would do…if you’re using a grounded power strip or power distribution unit, I would see if there’s a way to connect ground wires to that. My Monster Power Pro rack mount power distribution units have a big threaded ground post on the back. And before that set your DMM to resistance and on each device measure the resistance between the RCA shields on the jacks to the device chassis…make sure the shields actually strap to the chassis “ground”, and if they do, and they should, then add the wire from the chassis to your central ground point. On the Adcom check resistance from the jack shields to the ground prong on the power cable.This make sense! The Adcom does have a 3 prong power cord it's model Adcom GFP-815. But working to get the other two to be grounded makes sense. Or at least connected to the Adcom. The phono jack has a threaded ground post..can I tap off that?
There is not, I've been looking for anything that has a spot to connect an extra external ground wire and keep coming up short.Think of it this way…
When you have two outputs from the 388 connected, my hunch is that it completes the loop, and there is a differential between your devices because the 388 and the MH-40 are floating. Instant antenna.
What about your rack-mount power distribution unit? Any ground post on that?
Could be.There is not, I've been looking for anything that has a spot to connect an extra external ground wire and keep coming up short.
If your theory is correct, wouldn't the noise stop if I unplug the monitor output? Wouldn't that break the antenna? Because as of now, the noise is present only when the main stereo outs are plugged in. (Whether or not the monitor outs are connected.)
If I unplug the monitor outs (RCA connections) the noise/hum stays present in the main room monitors. So it seems like its a problem with the main Stereo outs.