
Lt. Bob
Spread the Daf!
you should always use the repro head for mixing.
Lt. Bob said:you should always use the repro head for mixing.
_DK said:You mean the repro mode?
That explains why it is thereBut what's the difference from the sync mode?
MCI2424 said:The synch head is not optimized for playback. It is only for reference when overdubbing. Recording heads are designed differently and play back on a record head is (electrically) a sonically lower quality sound. You want the optimization to be in the "record" mode.
The "repro" head is designed for sonically acceptable playback of the recording.
The "synch" head is a compromise in favor of the record function.
A Reel Person said:I'm sorry,... [MCI] The 38 was engineered specifically to overcome the sync-head limitations of previous recorders. The Sync and Repro heads are exactly the same, as are the amp circuits, (relatively speaking). Both are optimized for playback and are virtually equal. [Lt. Bob] There are 3 heads: Repro, Sync & Erase. Repro & Sync are the same part #, but have their own support circuitry on the amp-card.
Sorry if I've not addressed the main subject of this post!
Maybe later,...
C'ya!![]()
interesting ...... hadn't run into that before ...... is that unusual or are most of the newer decks set up that way?A Reel Person said:I'm sorry,... [MCI] The 38 was engineered specifically to overcome the sync-head limitations of previous recorders. The Sync and Repro heads are exactly the same, as are the amp circuits, (relatively speaking). Both are optimized for playback and are virtually equal. [Lt. Bob] There are 3 heads: Repro, Sync & Erase. Repro & Sync are the same part #, but have their own support circuitry on the amp-card.
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Rocket Boy said:shiney side of the tape should be up towards the heads? Is that correct??
A Reel Person said:considering I bought a 2nd house this year to accommodate my gear!!!![]()
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