
bouldersoundguy
Well-known member
Yep. Note that the wall may be producing boundary effect, a low frequency boost caused by the speaker being close to a reflective surface. The switch on the back labeled "Room Compensation" counteracts the effect.
I wondered if that might be a possibility, even though the wall was at 45 degrees to the speaker faces, and underneath the speaker. Maybe draping a load of blankets over the wall, under the speaker would be worthwhile. Thanks also for your earlier suggestion re isolation, and trying the measurement with mic pointing at the tweeter.Yep. Note that the wall may be producing boundary effect, a low frequency boost caused by the speaker being close to a reflective surface. The switch on the back labeled "Room Compensation" counteracts the effect.
Thanks, Rob. Two of the curves are acceptable to me. The green one isn't, but I think I can rectify that. I don't think I'm over-thinking anything. Okay, I may have geekish tendencies! My reason for wanting to do these speaker tests was to determine how accurate the speakers are, while still within the time window for returning them, if necessary.You now have three perfectly sensible traces. I do think you are over thinking the entire thing, losing perspective. If you turn down the blue speaker a tiny bit it tracks perfectly, the green trace suggests the HF unit has a difference in HF response. Its a gradual tapering off, then a sudden spike. Being blunt, you are seeing things you cannot hear. I’d bet that that big spike at the end you cannot hear. When you listen to music on them that you know well, what do they sound like? The bass end starts to tail off, like all small speaker designs at the bottom. Hear it is 100Hz where it starts. If you want to mix music with lots at the bottom, then you have to guess the level of bass in your mix. I must be careful in my video studio. I often mix there and when i go home, i hear too much bass. My car hears too much bass on the journey home. Depending on the type of bass, as in synth bass, piano bass, double bass bass orchestral bass, or electric bass, i can pretty well adjust my choice, and get it mostly right, but bass at my audio studio is more accurate somehow - probably just bigger drivers and older design I guess.
Nothing you have, bar that measurement mic has a flat frequency response. Flat is boring. As you have discovered, small differences in your test produced very different and alarming results. Ask yourself the question ‘did the speakers sound as bad as the results, or was it a shock?’ Those little peaks and troughs did not alarm you. You didn’t think my god I've lost 30dB of level, or i have a huge peak at X or a total lack of signal at Y. Your ears and brain told you a sort of compensated result. The flawed tests have surely proven that none of your worries are the speakers. You can compensate. Forget trying to EQ it out. If you remove a tiny peak at 4.23KHz by taking 2.6dB out, can you hear it? Of course not, but flat line chasing is pointless.
1. Do you like the sound?
2. Do your mixes sound good on as many systems as you have access to?
If it is yes to both, move on. If it is no, borrow a new set and repeat.
Forget what your eyes tell you. All it has done is produce predetermination. You see a fault, and are fixing something probably that is just ‘character’. I have listened to a tape of the Beatles at Abbey Rd, on the studio speakers and original amp they used in the early 70s. It sounded absolutely terrible. Tinny, weedy, lacking every quality word we now take for granted. They would fail your test spectacularly.