I am not convinced that the summing box is doing anything to the mix that can't be done in the box.
A little EQ and you could probably get 95% of the difference
Still, it'd be nice to hear a properly blind comparison - with no processing done to the mix after the summing/mixing is done. Can't see how this is relevant to the comparison, if anything it will obscure the results slightly.
Exactly. I am not sure if an EQ is the right tool for this job, but a console or tape saturation plugin will fill this 5% up for sure.
Whereas a couple of members say:
OK...prove it.
His comparison showed there is a difference....you're now simply guessing as to what might make it so.
Hey, all you need is VST plug ins.
We haven't said there's no difference.
We both said that the difference is so small between the two that if we added an EQ to one of the two or saturation to the ITB only,
you won't be able to understand which is which and what's the "real analog" or the "plugin-analog" one - cause the difference is not extraordinary.
You don't have to take it personally guys, it's like you're ironic and got offended cause people can achieve things with 90% less money with plugins
and not with a full analog gear that costs double or triple the money and room space.
We're experimenting here chill out
I believe that the reason you say that analog is better is because you knew in the file name which is which.
---- Blind Test ----
I created 2 new files - random names: F and N.
Since we talked about EQ or Saturation only, I promise I haven't used anything else than an EQ or Saturation VST plugin or nothing.
Can you spot which was the "real analog" vs the "VST fake analog"?
I will I tip my hat off to both of you guys if you can actually find the difference.
For me, even if I can find the difference it's not worth for me the extra money for analog summing for 5% sound difference, that can be easily achieved with just an EQ or a saturation plugin.
That's my personal opinion only of course
There you go!
Mix F -
Mix N -