Swede said:
Wow! It seems like this DI-port is a great "bang per buck" here in europe. At the same cost as a DMP3 I get two good preamps, probably a better AD/DA converter than I already have (1010lt), I can use all 10 channels of the soundcard and as bonus I get a volume knob that I can use for active monitors! This seems to good to be true.
Thanks chess!
Swede, I don't have a DMP3, but I do have
a DiPort ... I've been very happy with it. The only things I have to compare it to are my other pres:
* Dan Alexander-racked Neve (1073/1066 variety)
* The pres in my Digi 001
* The pres in my jettisoned BlooToob
The BlooToob was good for noise, mud, and, actually, as a bass DI (better than the Art Tube MP I tried). BUT, the Neve is better than BT for bass DI (maybe not much of a surprise ...)
The Neve is good for thick beefiness. It's not transparent, as you'd expect.
For transparent, my only options are the Digi pres and the DI Port. I will say that the DI Port has more high end AND low end than the Digi pres, generally overall better clarity ... this holds true even if I use DI Port's analog outs to the analog ins on the Digi (ie, the Digi converters). It's more noticeable when I use the DI Port's converters going SPDIF. This also holds true even though the DI Port does not allow me to sync it to the Digi via Word Clock, which should make the sound quality of digitally linked devices even better. This is all a matter of degrees; differences are slight on one track but I imagine if I took the time to record several tracks each way and compared the mutiltrack versions, I might hear the differences as more significant.
Just my rambling for more perspective.

I think you'd be happy with the DI Port if you get it.