this mix strikes me as being very harsh and shrill. I'd trim back the treble and efx a notch or two. More trim in the treble, though. The playing and singing is great, no doubt, as usual. It's too shriekingly & overly bright and harsh sounding, with a relentless ear scouring assault of treble and sibiliance on every track, that's each fighting to fill the mix & resulting in a slurried haze on the high end. [MO/YMMV].
The performance was darn near perfect. Good points for that. You can really rock with the best of 'em.
I dont' think that all things in music were necessarily meant to be listened to with such high end 'hype' or so-called 'sonic clarity' that digital offers or is capable of, because in many instances the high end of digital becomes harsh or hyped, for some reason. Go figure. (Go analog).

Also, (in general), a lot of what you hear in sonic recordings is based in technique, such as those employed as commonplace in modern production methods of recording "modern sounding" rock. It's not necessarily the format that defines the sound. This recording fits in with modern sounding rock,... (loud, compressed, and wall-of-sound-ish). There's apparently only two settings in modern rock: loud and louder.
This particular mix seems like it's hyped & harsh sounding hash in the high end. Everything in the mix has too much "edge", and all that edge is fighting for space and resonating a noticeable amount in some very harsh frequencies. The harshness of the treble distracted completely away from any bass the mix might have,... & practically drown it out.
I liked the song a lot, though. It's really great playing and singing. I'll listen again when my ears stop hurting.
