Gear you purchased that were disappointments

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Alesis ADAT. Damn thing worked for about 5 Months of light use. I still use it (13 years later) for its digital converters though.

VOX pedal board. Has a lot of hiss and it doesn't agre with my Mesa. I can only use it for direct in to recording and even then it ain't all that great.

Audix clip on drum mics. I still use the bass drum mic but the tom clip-ons are useless.

Martin entry level accoustic with fake back and sides. Internal pick up worked for about 3 months. Not worthy of the name. Sounds OK, plays OK, but still a disappointment.
 
Two VSTis that spring to mind - Sonik synth and Trilogy. Sonik synth is in fact really excellent but I already had Sampletank and it seems that Sonik duplicates it. As for Trilogy, what an overrated tool. Maybe I was just too fussy, but it's double bass sounds (which I really bought it for) were, without being savage :mad: :( :mad: :( :mad:, "unimpressive". Both were disappointing.
 
... I had an old QSC power amp that sounded more like a fuzz box, complete garbage.

That doesn't seem right, I was under the impression that QSC stuff was very good. I would be surprised if the amp sounded like a fuzz box when it was new.
 
It was in the 70s, trust me it was horrendous. QSC was absolute junk then. Yes, I've heard they're much better now.
 
1. FMR RNP. This dual pre often gets rave reviews, yet, I found it to be lackluster for a walwart based box. In short, there's nothing that the RNP can do that a DMP3 can't do, if not better.

I felt the EXACT same way going from the DMP3 to the RNP. What I thought was going to be an upgrade turned out to be a somewhat expensive side-step, which isn't necessarily a knock to the RNP so much as it is a big +1 to the surprising quality of the DMP3. Here's to hoping I won't feel the same way after I grab a lunchbox with a pair of 512Cs. :drunk:
 
I wouldn't have enough time to type the list...
 
4. Joe Meek - Three Q. This box is proof that adding a Burr-Brown component doesn't make it a good preamp. Apart from having no headroom and a sterile sound, the EQ section has set a new standard for noise and harshness. The comp does offer some coloration, though.

Going to have to disagree with you there. I found the sound to be anything but sterile. I'm hearing some of that vintage sound you mention on the older line and I like it. Perhaps the guts have changed? I consider the EQ and comp sections to be added bonuses that I rarely use. Though I do use the compressor for recording the odd bass track and haven't experienced any issues.
 
I bought a "Line 6 Pod XT Pro" a year ago , you know the 4u Rack version with the fancy Digital display ?? well this piece of gear is the worst sounding piece or shit that has ever been made , uterly awefull sounding piece of crap with not a single good sound in it .... My home built amp gets tones that are WAAAAAYYY better .....

Line 6 sucks ass !!!!
 
Just about everything that says "Behringer" on it -- I suppose those little sammich-sized mixers (I have a... a... UB802?) aren't too bad - for what they are - but as much as I never wanted to be one of those "Behringer Bashers," every time I have to use a piece of that crap, I swear (both literally and figuratively)... I don't understand it.

Presonus - Great ideas, horrible stuff except for a few pieces (the Central Station being a nice piece, although the main potentiometer is a hunk of crap! The most important part of the whole thing - the part that actually controls the level - is crap. Or at least, inconsistent in quality). And that POS Eureka thing... I went through three of those before I found out that it actually sounded like that and it wasn't broken.

Focusrite Penta/Platinum - As if they didn't jump the shark even with most of their "pro" stuff, the "cheap" stuff lives up to its cheapness.

Mackie HR824's - Glad they don't make those boat anchors anymore (although I've not had the pleasure of the new ones - maybe they're even worse).

Almost (almost) anything under a thousand bucks that has a tube ("toob") in it.

Countless LDC's.

Countless "studio monitors" -

I could go on for days.

Admittedly - I've been very fortunate as I've been able to 'test' an awful lot of gear of the years without having to take a financial hit on it.
 
Joe Meek - Three Q. This box is proof that adding a Burr-Brown component doesn't make it a good preamp. Apart from having no headroom and a sterile sound, the EQ section has set a new standard for noise and harshness. The comp does offer some coloration, though.
I like the Joe Meek 3Q.
Has an "Old" feel to it and I do use the compressor which is really intuitive but I don't use the EQ.
Best answer I can come up with on it... "It's almost what I was hoping for when I bought it".
If I wasn't using ribbons, the 3Q would probably be spot on but I am and it's about 20dB shy.
Beautiful tone though. Dark with a hint of warmth.
 
Going to have to disagree with you there. I found the sound to be anything but sterile. I'm hearing some of that vintage sound you mention on the older line and I like it.

If it works for your applications, then that's all that matters. Insofar as the vintage sound goes, it's rather unlikely since the preamp is built around a modern circuit using inexpensive caps. Another weak point on the unit I tested is that the rear jacks are mounted directly to the PCB and aren't even fastened to the chassis. Not something I would feel confident plugging in and out of. Hopefully they added some fasteners to the newer units.
 
I felt the EXACT same way going from the DMP3 to the RNP. What I thought was going to be an upgrade turned out to be a somewhat expensive side-step, which isn't necessarily a knock to the RNP so much as it is a big +1 to the surprising quality of the DMP3. Here's to hoping I won't feel the same way after I grab a lunchbox with a pair of 512Cs. :drunk:

I couldn't have said it better. I think they are both good sounding pres with the edge going to the DMP3.
 
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