And IMHO that completly misses the point.
When someone here asks (regardless of his budget or level of expertise) how to make his recordings sound like a commercial CD or how to "achieve studio quality", they are asking how to make a pro recording.
The average rookie has more and better technology and capability at his disposal in an entry-level $2000-$3000 home project studio than your average $50,000-$100,000 "pro" studio had as recently as the 1980s. Rookies are constantly coming on this board with the intention of using multi-band compression, side-chaining lines from their 8-mic drum kit, creating typical multi-track sessions of 15-30 digital tracks, and building gobos, diffusers and bass traps for their dorm room; they are coming on here with the intention of making pro recordings on pro-level-technology gear, whether they think they are or not.
Which by the way degrade the content of this site. sooo, by being a dick to the people that you think hurt the forum with their uneducated (how dare they) posts YOU are making the forum suck even more.
The fact that they more often than not have have zero grounding or experience in actual pro technique and have little idea of what they are actually doing is where the problem usually lies and is where the answers need to be focused.
When someone asks how to use a sophisticated signal processor, or how to make their disc sound like Joe Biglabel's disc, they are asking how to get results like a pro. They are asking how to make a pro recording. They had better be ready for some frank and technical - some "pro level" - responses. Including responses that they won't want to hear, like "The only way to get a pro-level recording is to work like a pro-level engineer. And the only way to work like a pro-level engineer is to work like a pro-level engineer. You gotta learn how to fly all that fancy gear, it ain't gong to automatically fly itself."
"Home recording" isn't for amateurs any more.
G.