T
themaddog
Rockin' & Rollin'
Hey everyone,
I track using a Tascam TSR-8 or MSR-16, depending on the situation, and have been mixing down to a Delta 44 soundcard and a Tascam 22-2 simultaneously. Of course, the 22-2 sounds way better than the 44, but I really don't see (hear) any benefit mixing down to the 22-2 and then putting it into the computer.
My question is, what do people use to mixdown here? Which soundcards/converters do you analog guys use to get your mixes to computer? Numbers and specs aren't really important to me, if there's a 16 bit/44.1k card that'll sound better than my Delta 44, and handle everything a bit more musically, I'll go after it, just wanted to know if anyone out there had any advice.
After examining how digital system record, and their weaknesses compared with analog, I've considered putting a couple compressors before the computer's soundcard in order to try and even out the sound. Then maybe the sounds the computer has major trouble recording, like the cymbal crashes because of the big dynamic changes, will be a little easier for it to record. Does anyone have any thoughts on this? I haven't had the chance to give it a try yet.
Thanks for your insight,
-MD
I track using a Tascam TSR-8 or MSR-16, depending on the situation, and have been mixing down to a Delta 44 soundcard and a Tascam 22-2 simultaneously. Of course, the 22-2 sounds way better than the 44, but I really don't see (hear) any benefit mixing down to the 22-2 and then putting it into the computer.
My question is, what do people use to mixdown here? Which soundcards/converters do you analog guys use to get your mixes to computer? Numbers and specs aren't really important to me, if there's a 16 bit/44.1k card that'll sound better than my Delta 44, and handle everything a bit more musically, I'll go after it, just wanted to know if anyone out there had any advice.
After examining how digital system record, and their weaknesses compared with analog, I've considered putting a couple compressors before the computer's soundcard in order to try and even out the sound. Then maybe the sounds the computer has major trouble recording, like the cymbal crashes because of the big dynamic changes, will be a little easier for it to record. Does anyone have any thoughts on this? I haven't had the chance to give it a try yet.
Thanks for your insight,
-MD