
JDOD
therecordingrebels.com
As you know, I am planning on it. Another month and I should have the cash together. At the moment I am edging towards a Blackstar Club 40. Borrowing a fender power chorus of a mate to tide me over.
yeah, looks like either that of a Peavey Valve King.Haha, awesome dude. 40 watts of tube power is gonna be nice and loud.
the Blackstar Club 40 is a great amp. I can't imagine not liking it.I'm just a hobbyist.. And along with surfing, climbing, boxing and snowboarding I don't have that much money to spend on amps.
it's a totally different amp.The "generic" thing I'm trying to describe with the HT-5 ..................
I'm sure the 40w Blackstar is much better than the 5w combo that I had
it's a totally different amp.
To base a general opinion about Blackstar amps' sound on the HT-5 doesn't compute at all.
You may as well decide how Marshall amps sound based on their cheapest. smallest amp ....... totally meaningless.
Look ..... I love 5 watt amps and, as you know, I have a collection of them.
But I have them for some specific live work that i do and that's the only reason I have them.
It's them or nothing ...... but in no kind of way do they sound as good as any of my 'real' amps.
Basically a 5 watt amp of any kind is a POS compared to a real sized amp.
They're just two entirely different things altogether.
and me too ...... I'm not understanding why if you state something about amps you're just gabbing about amps on the net but when I do the same I'm somehow accusing you of coming across some kind of way? Didn't say anything about you whatsoever.That wasn't what I intended to come across with dude...I was just saying that the HT-5 I had sucked...I also said the 40w Blackstar is probably way more versatile than the shitty HT-5 I had too dude...
No biggie, just gabbing on the internet about amps...![]()
oh man! That's pretty awesome .....I haven't been a very good contributor to the tone thread lately. But I've been fiddling with my Fenders and wanted to post my new favorite tone. Forgive the playing, I'm flubbing notes left and right. I wouldn't have the confidence to post this anywhere except for the tone enthusiasts.
This is my first real exploration of the Custom channel on my '68 DR amp. The Vintage channel has the most amazing cleans I've ever experienced. But the Custom channel is just "meh" for cleans. Then I sent some pedals through it. The Custom channel seems to LOVE pedals.
I got a new (used) Fender P-bass, and I'm really liking it. I wanted an excuse to record it, so I did this. Posting drums and bass in the tone thread seems a little sacrilegious... This is just a 4-bar bass loop repeated over and over and over. Plugged direct into Mic input #1 on my interface, routed into an ART Pro VLA-II.
Guitar is a Fender American Deluxe Tele, bridge pickup, tone rolled back about 20%.
Sent it through an Ibanez TS9 (drive-10:00, tone-10:30, level-11:00)
Then a Boss CS-3 (level-max, tone-11:00, attack-9:00, sustain-max) - this is my the-sky-is-falling, end-of-the-world setting. Don't stop playing or it'll feed back! Ride the lightning!
Amp is a Fender '68 Deluxe Reverb reissue, Custom channel. (volume-4.5, treble-5, bass-3, reverb-3)
ugh, forgot that using a hardware compressor in a software insert loop means realtime rendering. Took forever to figure that out! Anyways, link is live again.
Good point, please be somewhat detailed about how you are getting your bitching toans...
2011 Fender Jeff Beck Strat - Bridge P/U
Axe FX II
Matchless Chieftan Amp Sim
Drive 5.7, Master 10, Boost "off"
EQ is not worth posting.
2x12 cab Sim
U87 cond mic Sim
Recorded direct with Sony Sound Forge 10
My main interest in this first test was how well a modeler duplicate the dynamics of a tube amp.
I'm pretty pleased so far, it is very responsive.
and me too ...... I'm not understanding why if you state something about amps you're just gabbing about amps on the net but when I do the same I'm somehow accusing you of coming across some kind of way? Didn't say anything about you whatsoever.