
dobro
Well-known member
Okay, I gotta do some recording really soon so this won't be really long.
Man o man, you do like reverb. That's fine with me - it'd be easy to say there's too much on the haunting background vocals, but I like it, so it's just right, right?
I want to talk about sth else - song structure and guitar playing. It's not a suggestion, it's sth to think about.
That guitar on the left that chimes in with the haunted reverb moan with two long, low notes - when it comes time for the guitar break, is there some way you can edge it/bridge it over to the second lead guitar that comes in only at the end of the instrumental break? It seems there's a space aching to be filled with a few stand out notes, to move from the subtle to the obvious, during the part when there's just the basic guitar part riffing. In my mind, I can hear about five more notes, a cluster of three, then two (lotsa bending and vibrato), over top of the riffing guitar. *Then* the second lead guitar - Satisfaction!
Look, this is ready to go all sorts of commercial. But there's a possibility that this isn't just really good - it might be important as well. If commercial's part of your plan, probably backing off on the background verb one step would be worth listening to and comparing. Let me know when the CD's ready.
Man o man, you do like reverb. That's fine with me - it'd be easy to say there's too much on the haunting background vocals, but I like it, so it's just right, right?
I want to talk about sth else - song structure and guitar playing. It's not a suggestion, it's sth to think about.
That guitar on the left that chimes in with the haunted reverb moan with two long, low notes - when it comes time for the guitar break, is there some way you can edge it/bridge it over to the second lead guitar that comes in only at the end of the instrumental break? It seems there's a space aching to be filled with a few stand out notes, to move from the subtle to the obvious, during the part when there's just the basic guitar part riffing. In my mind, I can hear about five more notes, a cluster of three, then two (lotsa bending and vibrato), over top of the riffing guitar. *Then* the second lead guitar - Satisfaction!
Look, this is ready to go all sorts of commercial. But there's a possibility that this isn't just really good - it might be important as well. If commercial's part of your plan, probably backing off on the background verb one step would be worth listening to and comparing. Let me know when the CD's ready.