What DAW are you using?

  • Thread starter Thread starter joey2000
  • Start date Start date

Well?

  • GarageBand

    Votes: 8 2.1%
  • Logic Pro

    Votes: 37 9.7%
  • Mixcraft

    Votes: 11 2.9%
  • Pro Tools

    Votes: 25 6.5%
  • Reason

    Votes: 7 1.8%
  • Sonar

    Votes: 25 6.5%
  • Reaper

    Votes: 98 25.7%
  • Studio One

    Votes: 44 11.5%
  • Cubase

    Votes: 48 12.6%
  • Ableton

    Votes: 16 4.2%
  • FL Studio

    Votes: 16 4.2%
  • other

    Votes: 47 12.3%

  • Total voters
    382
Samplitude Pro X. Not even the upgraded version, the one from 15 years ago. I really should upgrade though as the big hindrance is not being able to use VST3. There are a lot of noticeable bugs I am sure have been fixed since then too.
 
Samplitude Pro X. Not even the upgraded version, the one from 15 years ago. I really should upgrade though as the big hindrance is not being able to use VST3. There are a lot of noticeable bugs I am sure have been fixed since then too.
Hi there! I have used Samplitude for many years and presently have Pro X suite 6 on this laptop along with Pro X2 Silver* which I fire up much more often. I have Pro X suite 3 on an old HP lappy and even SE8 from a magazine freebie years ago! But I am neither musician nor song builder. My son who lives in France is both and uses Sam pro X 3. (and Reaper and the free Cakewalk. note, both might solve your VST3 problem?)

However MAGIX, Samplitude's parent company got into financial difficulties earlier this year, they are still going but the situation is unclear. A new firm called "Boris FX.com have now released Samplitude 2025 and a year's subscription will cost me about £100, something I shall do for my son later this year. Nice guy there you can email <neal@borisfx.com> You can download a complete copy of Sam 2025 for evaluation.

*Sam Silver is free forever and mainly released in America, always takes me a time to track it down. Pretty good but you need to get it activated by MAGIX and I don't know how that works now due to their recent troubles.

Hope this helps?

Dave.
 
Hi there! I have used Samplitude for many years and presently have Pro X suite 6 on this laptop along with Pro X2 Silver* which I fire up much more often. I have Pro X suite 3 on an old HP lappy and even SE8 from a magazine freebie years ago! But I am neither musician nor song builder. My son who lives in France is both and uses Sam pro X 3. (and Reaper and the free Cakewalk. note, both might solve your VST3 problem?)

However MAGIX, Samplitude's parent company got into financial difficulties earlier this year, they are still going but the situation is unclear. A new firm called "Boris FX.com have now released Samplitude 2025 and a year's subscription will cost me about £100, something I shall do for my son later this year. Nice guy there you can email <neal@borisfx.com> You can download a complete copy of Sam 2025 for evaluation.

*Sam Silver is free forever and mainly released in America, always takes me a time to track it down. Pretty good but you need to get it activated by MAGIX and I don't know how that works now due to their recent troubles.

Hope this helps?

Dave.
Good to know - hadn't followed their financial difficulties. I am a hell no on subscription models for anything. If they go to that I may have to find a different DAW. Sucks.

I can't stand it when companies change their model.
 
"I can't stand it when companies change their model." Well, strictly speaking they haven't, Borisfx .com have bought them out?

A year's subscription is £110 which is what I shall do. The good news is Sam 2025 supports VST3. If you wanted to change DAWs the most cost effective by far is Cockos Reaper, it is also very powerful and my son is starting to use it more and more. He does still find Samplitude way the best editor though.

Dave.
 
I'm just re-starting my recording thing, got REAPER because later Windows systems won't deal with Cool Edit Pro- I really liked that one for my purposes: it's primarily an editor, and I liked the way it was laid out. I find REAPER to be way too feature-rich for my simpler needs, but you don't have to go deep to be functional. Anyway I'm kind of starting my learning curve again and will stick with what I've got.
 
I'm just re-starting my recording thing, got REAPER because later Windows systems won't deal with Cool Edit Pro- I really liked that one for my purposes: it's primarily an editor, and I liked the way it was laid out. I find REAPER to be way too feature-rich for my simpler needs, but you don't have to go deep to be functional. Anyway I'm kind of starting my learning curve again and will stick with what I've got.
Have a hack round for the free Samplitide ProX 2 Silver*. Sam is a very good editor. Also, just for editing don't forget Audacity? Runs on anything and totally free and zero hassle. If you use it don't forget to "export as .wav" otherwise nothing else will play the tracks.

*going to have a look myself. https://miditech.de/en/software/

Dave.
 
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I'm just re-starting my recording thing, got REAPER because later Windows systems won't deal with Cool Edit Pro- I really liked that one for my purposes: it's primarily an editor, and I liked the way it was laid out. I find REAPER to be way too feature-rich for my simpler needs, but you don't have to go deep to be functional. Anyway I'm kind of starting my learning curve again and will stick with what I've got.
That's something that I discovered early on. Just because you CAN customize it, create a theme, write scripts, do surround sound, etc. etc., doesn't mean you have to do that. I have never once in the 10 years that I've used it, written a script or designed a theme. I use the 5.x theme, that's about as customized as I've gone but that's because I used v5 for so many years.

If you enjoy doing those things, it's a great platform. If you just want to record a few tracks, mix them down and post them on Bandcamp or Youtube, it works great for that too.
 
Have a hack round for the free Samplitide ProX 2 Silver*. Sam is a very good editor. Also, just for editing don't forget Audacity? Runs on anything and totally free and zero hassle. If you use it don't forget to "export as .wav" otherwise nothing else will play the tracks.

*going to have a look myself. https://miditech.de/en/software/

Dave.
Samplitude has a freebie, that's interesting.
I still need an interface, but once I get hooked up I'll get digging in, and good heads up a about Audacity. I'm not quite flush fur Audition, else I'd have snagged it...

Thanks for the replies you guys!
 
Samplitude has a freebie, that's interesting.
I still need an interface, but once I get hooked up I'll get digging in, and good heads up a about Audacity. I'm not quite flush fur Audition, else I'd have snagged it...

Thanks for the replies you guys!
I could be wrong but I think you can only get Adobe Audition as part of a suite? Includes video editing and other ***t you don't need and subscription only.
I have had AA 1.5 for 20 years! It came on a PC my best mate built for me for my 60th birthday. It is the only cracked software I have ever had. I emailed Adobe a few times over the years and told them that if they sold a decent, cut down version for about £50 I would buy it and so would many others I bet. At the time there was MAGIX Home Recording and various versions of Cubase at about the nifty price level.

Another good editor with some cracking noise reduction tricks is Sound Forge. Originally by Sony now part of the MAGIX stable.

Dave.
 
For the past 4-5 years I write/compose in Reason, 5, 5.5, 9, 11.5, 12 and track in Pro Tools, 10.5, and whatever the latest is. I'm pretty miserable at editing and I don't
have hardly any patience for it I just want to move on to the next one, always. I used Acid 1.0, 2, 4. 5, and 7 for many years. I first used it with an Aardvark Ark 24 farr warr
card that I though was the coolest thing in the world. That was followed closely by MOTY 2408, more farr warr, and then using cameras with farr warr on them. Then the amazing Apogee Duet farr warr that I still thing is one of the best converters I've ever heard because of the amazing imaging and frequency allocation.

I started using a Computerland MIDI card in a 386 with Windows 3.1 and Cakewalk for Windows. That was square one for computers and music. Cakewalk combined with Sound
Forge was the first actual DAW type setup, and before they integrated it. I think it was Cakewalk Pro Audio that first did that. Wow that was something. I've used every piece of
software I could get on my computer since that time, tried everything and anything.

This one program called "Cool Edit Pro" had brainwave frequency generators in it. I was doing research with a Neuropsychologist buddy and composing brain training pieces
for relaxation and sleep. You had to program and generate the brain waves and you could edit them in that software too. That software became Cool Edit for Windows, then
it became.....ready......Adobe Audition, sans brainwave capability. I still have the brainwave versions and a library of generate wave sounds for binaural beats. I use the latest and greatest Adobe Audition, it's klunky, the multitrack stuff is kludgy and I still can't get it to work with my control surfaces but I like the EQ fiddly things on there and I can manually copy and paste things to get the loops by hand that I like to do. Also, very import, zero crossing. whew....that's a life saver.
 
For the past 4-5 years I write/compose in Reason, 5, 5.5, 9, 11.5, 12 and track in Pro Tools, 10.5, and whatever the latest is. I'm pretty miserable at editing and I don't
have hardly any patience for it I just want to move on to the next one, always. I used Acid 1.0, 2, 4. 5, and 7 for many years. I first used it with an Aardvark Ark 24 farr warr
card that I though was the coolest thing in the world. That was followed closely by MOTY 2408, more farr warr, and then using cameras with farr warr on them. Then the amazing Apogee Duet farr warr that I still thing is one of the best converters I've ever heard because of the amazing imaging and frequency allocation.

I started using a Computerland MIDI card in a 386 with Windows 3.1 and Cakewalk for Windows. That was square one for computers and music. Cakewalk combined with Sound
Forge was the first actual DAW type setup, and before they integrated it. I think it was Cakewalk Pro Audio that first did that. Wow that was something. I've used every piece of
software I could get on my computer since that time, tried everything and anything.

This one program called "Cool Edit Pro" had brainwave frequency generators in it. I was doing research with a Neuropsychologist buddy and composing brain training pieces
for relaxation and sleep. You had to program and generate the brain waves and you could edit them in that software too. That software became Cool Edit for Windows, then
it became.....ready......Adobe Audition, sans brainwave capability. I still have the brainwave versions and a library of generate wave sounds for binaural beats. I use the latest and greatest Adobe Audition, it's klunky, the multitrack stuff is kludgy and I still can't get it to work with my control surfaces but I like the EQ fiddly things on there and I can manually copy and paste things to get the loops by hand that I like to do. Also, very import, zero crossing. whew....that's a life saver.
I still used acid pro on windows XP for editing drum loops.
 
This one program called "Cool Edit Pro" had brainwave frequency generators in it. I was doing research with a Neuropsychologist buddy and composing brain training pieces
for relaxation and sleep. You had to program and generate the brain waves and you could edit them in that software too. That software became Cool Edit for Windows, then
it became.....ready......Adobe Audition, sans brainwave capability. I still have the brainwave versions and a library of generate wave sounds for binaural beats. I use the latest and greatest Adobe Audition, it's klunky, the multitrack stuff is kludgy and I still can't get it to work with my control surfaces but I like the EQ fiddly things on there and I can manually copy and paste things to get the loops by hand that I like to do. Also, very import, zero crossing. whew....that's a life saver.
The idea was pretty out there - who knows if it worked - lot of confirmation bias in the testing -
 
For the past 4-5 years I write/compose in Reason, 5, 5.5, 9, 11.5, 12 and track in Pro Tools, 10.5, and whatever the latest is. I'm pretty miserable at editing and I don't
have hardly any patience for it I just want to move on to the next one, always. I used Acid 1.0, 2, 4. 5, and 7 for many years. I first used it with an Aardvark Ark 24 farr warr
card that I though was the coolest thing in the world. That was followed closely by MOTY 2408, more farr warr, and then using cameras with farr warr on them. Then the amazing Apogee Duet farr warr that I still thing is one of the best converters I've ever heard because of the amazing imaging and frequency allocation.

I started using a Computerland MIDI card in a 386 with Windows 3.1 and Cakewalk for Windows. That was square one for computers and music. Cakewalk combined with Sound
Forge was the first actual DAW type setup, and before they integrated it. I think it was Cakewalk Pro Audio that first did that. Wow that was something. I've used every piece of
software I could get on my computer since that time, tried everything and anything.

This one program called "Cool Edit Pro" had brainwave frequency generators in it. I was doing research with a Neuropsychologist buddy and composing brain training pieces
for relaxation and sleep. You had to program and generate the brain waves and you could edit them in that software too. That software became Cool Edit for Windows, then
it became.....ready......Adobe Audition, sans brainwave capability. I still have the brainwave versions and a library of generate wave sounds for binaural beats. I use the latest and greatest Adobe Audition, it's klunky, the multitrack stuff is kludgy and I still can't get it to work with my control surfaces but I like the EQ fiddly things on there and I can manually copy and paste things to get the loops by hand that I like to do. Also, very import, zero crossing. whew....that's a life saver.
I'm still using Audition 3 as my DAW.
 
I was involved with the testing of the Binaural Beat stimulation waves with a board certified Neuropsychologist using NASA based brain wave measurement technology for several clinical trials. I did a few on myself and was involved with testing on individuals. It should pulse reduction, heart rate reduction, and subjective reports of relaxation in the standing or sitting subjects.

In the subjects that were laying down, sleep within 15 minutes was reproduced reliably. I've seen it work many times. The problem is depenence on the music. Now that doesn't make me happy even though it could potentially result in sales, but it's better to have people healthy. I had one person literally to wear out a CD listening to my CD for 22 years every night. That's consistency right there.

The effect doesn't work on everyone simply because not everyone is "brain tuned" to be responsive to physiological indicators. There does also seem to be a correlations between intelligence and susceptibility to the binaural pattern. Also children are much more senstive than adults. I know it works, it's pure physics past a certain point. Programming a frequency with a 5 hertz difference corresponds to a universal magnetic rhythm, for example, that causes the seashores the world over to meet a consistent rhythm of 5 hertz per second. Also, a flickering flame, relaxing to look at in a fireplace, flickers at 5 hertz, universally. It's odd because software or video versions of flickering flames do not visual stay consistent on 5 hertz like the real thing. However, audio recordings are generally more accurate to consistently maintain a 5 hertz pulse. The pulse is not effects by the moon cycles, but the moon cycles do have other magnetic effects, such as aggression, or mental outlooks depeding on the susceptibility of the individual.

I'm not a psychologist. I'm a philosopher of science and physics in addition to being a musician. I write some books too.
 
I'm not a psychologist. I'm a philosopher of science and physics in addition to being a musician. I write some books too.
It appears your science is dependent on the people thinking it will work - and children are more likely to believe it than adults - and one guy who wore out your CD (How do you do that BTW?) music/white noise etc… are excellent at inducing sleep - so how did you arrive at the process you have as working - I’m more inclined to believe the Music/White Noise had more to do with it.
 
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