A
ambi
New member
What would you classify this mic as?
Warm? Harsh? cold? Any descriptive words?
I'm trying to figure out if it would be the LD condensor for me, or my voice.
It would mainly be for my friend and I. But i mainly record instruments, so it would have to be used for that as well.
I'm planning on buying some Behringer ecm8000's for instruments, BUT since i mainly record instruments, and the vocals i do are like singing/rap/spoken word, so the quality isn't a huge issue, i was thinking my priorities are wrong? Maybe i need more money into a stereo pair of SD condensors for instruments and less into a LD condensor?
I like the idea of recording things in stereo, i find it gives them a lot more body and fullness. They just have more presence in stereo, in general. So it would probably be best to get good quality SD condensors, considering most of my recordings will go through them. And they could also double as Mic overheads (i RARELY record drums, i don't own any, so that is a small priority).
Any thoughts on how the SP C1 sounds, and maybe some types of voices it doesnt' really work on? Any suggestions for a better pair of stereo mics? Maybe instead of spending 80 dollars on sd condensors and 200 on a LD, i should do the reverse and get something like a B1?
Warm? Harsh? cold? Any descriptive words?
I'm trying to figure out if it would be the LD condensor for me, or my voice.
It would mainly be for my friend and I. But i mainly record instruments, so it would have to be used for that as well.
I'm planning on buying some Behringer ecm8000's for instruments, BUT since i mainly record instruments, and the vocals i do are like singing/rap/spoken word, so the quality isn't a huge issue, i was thinking my priorities are wrong? Maybe i need more money into a stereo pair of SD condensors for instruments and less into a LD condensor?
I like the idea of recording things in stereo, i find it gives them a lot more body and fullness. They just have more presence in stereo, in general. So it would probably be best to get good quality SD condensors, considering most of my recordings will go through them. And they could also double as Mic overheads (i RARELY record drums, i don't own any, so that is a small priority).
Any thoughts on how the SP C1 sounds, and maybe some types of voices it doesnt' really work on? Any suggestions for a better pair of stereo mics? Maybe instead of spending 80 dollars on sd condensors and 200 on a LD, i should do the reverse and get something like a B1?