R
RAMI
Guest
Meh, 83% of all statistics are made up on the spot. 

God-given scientific fact
Meh, 83% of all statistics are made up on the spot.![]()
Except the part about the slide whistle.Meh, 83% of all statistics are made up on the spot.![]()
Nah, that's just HIM f*cking around with us. That and the platypus. You know the old saying, all work and no play...Isn't that a contradiction right there????![]()
And the sixth one is up in the bell tower with a high-powered rifle, finally fed up with always being left out.TeyshaBlue said:4 out of 5 doctors agree...the 5th one is a complete tool.
Yeah, I bet he gets a good laugh over the whole "women peak at 30, and men peak at 18" thing, too. He's a reeeeaaaaal joker.Nah, that's just HIM f*cking around with us. That and the platypus. You know the old saying, all work and no play..
thank you everyone especially my pal Rami
i love you man
Hey Stu,
Here are two techniques I used recently when using sampled horns:
1. The more realistic you can make them sound, the better, right? What I do is tune each horn off just a bit... say 5 to 10 cents one way or the other. It made a noticable difference to me. Why? Well, a true horn section isn't gonna be 100% to the cent perfectly on key. It sounded less like a "robotic" horn section, and a little more human.
2. I also use volume automation. Right after the transient of the horn track begins, I will quickly lower the volume and raise it gradually. You can hear the attack, the decay with the volume drop, and raise the volume back.
It might at least give them a more natural sound. Let me know if you try it and how it works.
I would love to hear a sample of that. Can you put out something?
Hey Stu,
Here are two techniques I used recently when using sampled horns:
1. The more realistic you can make them sound, the better, right? What I do is tune each horn off just a bit... say 5 to 10 cents one way or the other. It made a noticable difference to me. Why? Well, a true horn section isn't gonna be 100% to the cent perfectly on key. It sounded less like a "robotic" horn section, and a little more human.
2. I also use volume automation. Right after the transient of the horn track begins, I will quickly lower the volume and raise it gradually. You can hear the attack, the decay with the volume drop, and raise the volume back.
It might at least give them a more natural sound. Let me know if you try it and how it works.
Good God, don't answer the question then. no need for a tizzy...
O boy... I play trumpets and keyboards. I guess I suck the big one.
Generally, of course real horns rule. But for those of us without easily available high-end cats, sampled horns can be pretty good.
A lot of it is how you play the part.
Here's a sample of sampled horns I played:
The samples are right off an old Roland U-220, a mediocre ROMpler from the late 80s. Still, I'm pretty proud at how they sound.
Here's a sample of sampled horns I played:
TZ! I really like that piece. Both from the artistic
and the tech viewpoint.
Nice job!
Lumpy
You Played on Lawrence Welk?
Yes but no blue notes. Just blue hairs.
www.LumpyMusic.com