I read the review of all the ones tested. Interesting, and very much a personal opinion.
Of cause opinions differ. I simply cannot used Genelec, I tried, I find them designed to "make things sound nice". So, if you are a commercial studio owner, perhaps they should be your speaker of choice, and perhaps that's why they are in so many studios? Think about it...
Genelec to me - as soon as a mix comes in referenced on them - I grab for the right toolbox.
The Mackies, not bad. I have mixed 3 albums on them, without a problem (apart from the one power supply that blew and spit out flames, almost burning the place down). HOWEVER (note the capital letters) - the Mackies are VERY sensitive to environment and placement. They have the right adjustments on the rear - up to the user to test the environment and use them correctly.
Now, of cause, the JBLs. When the LSRs were first launched there was one uniform opinion in all pro reviews, which was how UN-typical JBL they were., that they did not sound like anything JBL had ever produced. This was correct. As a matter of policy JBL hired new designers and instructed them to create new components for the monitors, from scratch, regardles... which is what they did. One thing though - they are not nearfields by any means, to put them on a meterbridge is downright silly. They are 16 x 13 x 12.75 and weigh 50 pounds each!
Naturally, if you sit close-in to speakers that size, you will not get the best out of them.
In my opinion there are just 2 midfields really worth looking at seriously, the LSR's and the Quested. You can keep the rest

oh - and just in case, I always have some wharfedales
