C
corban
New member
Well, Chessrock beat me to it. Well said.
You're either not explaining yourself well, or you're talking gibberish -- either way, it ain't pretty....walters said:yes how do i bleed and time smear all the 24 tracks together?
i want every 24 track to bleed into eachother and time smearing
I have notice when the Tracks start to bleed into eachother you get
a phase and "Flare" from the phase and unison and the smearing of the
time from different points it reaches the mics or "Time slipping the duplicated
tracks done in pro tools" to get Flare and smearing
WHY: is because the COLOURATION of the FLARE and The SMEARING of TIME
adding to the tracks and can feel the tracks bleeding into eachother
smearing when you listen to the 24 tracks is the whole effect
I'm afraid I may started the smear tactics...MadAudio said:Thank you, chessrock. Is it me, or are these made-up terms I've never heard before? Smear? Flare? They sound like video effects.
Of course 'feedback on a track' is easy, but you've described nine' different things, using all forms of ill suited terminology, and feedback is simply not what you want is it? You have already described how you liked your multi-path physical setup, right?walters said:How do you feedback a track in protools it that easy?