Neumann vs AKG

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AriC

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Hey All

What is the Neumann equivalent for the AKG C 414 B-TL II, if any?

I want to use this opportunity to wish health and peace for every one here at HomeRecording in this Holidays !!!

:D

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Ari
 
Currently, there isn't one that I know of, but I'm told Neumann is coming out with a multi-pattern version of the TLM103, which should be in the ball park.-Richie
 
Rich M. check your pm, there's no popups on this forum for those...
didn't mean to interrupt.. =)

......peace and love
 
Thanks Richard !!

I have time to wait for the multi-pattern version of the TLM103 and decide between it and AKG 414. What would be your choice?

Best

Ari
 
Ty Ford, a respected audio dude, recently stated that the TLM 103 is the closet mic Neumann offers which sounds towards an AKG. Neumann recently released the TLM 127, which is a multipattern mic, based on the TLM 103. Guitar Center has then for $1550 or so. An AKG 414 (either version) is about half of that on eBay.
 
Yo Ari- I can't tell you what my choice would be, because I haven't heard the Neumann mic. Also, it would depend on my intended use. I don't like either one of them on vocals (here I'm comparing to the TLM 103, which I am familiar with). However, I use the C414B-ULS extensively on acoustic guitar, mandolin, chimes, banjo, harp, violin/viola, piano, toms, Djembe, Doumbek, zarb, snare, toms, and if I had 2, I'd use them for overheads, I bet. The C414 is simply the most versatile mic I own, it's just not my idea of a vocal mic. It'll take a lot of proof to convince me a dual diaphragm version of the TLM 103 is worth $1500.-Richie
 
Dot said:
The Neumann equivalent of the AKG 414 is the Neumann U87.

Dan Richards
Digital Pro Sound
The Listening Sessions
The Project Studio Handbook

Meaning what?

Interesting idea, but I'm not sure in what way you are seeing them as similar. For instance, the U87 is used quite a bit as a voice-over and vocal microphone, whereas i know almost nobody who uses a 414 that way, unless they have no other viable options.

Since they differ quite a bit in price, appearance, and features, I'm assuming you think they sound alike. That would make your opinion somewhat unique!
 
Meaning that both mics are the mid-level multi-pattern industry-standard workhorse condensers from those companies.

Of course they don't sound the same.

And there have been different versions of the 414 and the U87 released over the years, and all those various models sound different from each other, too.

Dan Richards
Digital Pro Sound
The Listening Sessions
The Project Studio Handbook
 
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Thanks for clearing that up. As long as you've now clarified that they are nothing alike in terms of sound, price, size, shape, and features, I'll happily agree that otherwise they are quite similar! :p
 
How do you figure they don't have the same features? They both have a three-pattern diaphragm, pad and roll-off. Seems like they have exactly the same features to me. What am I missing?

As far as pricing, in the big picture they're not that far apart. And they used to be closer in price with the original C and EB [414] and the pre-Ai [87] models. Both of these mics have been around long before budget LDC's. In fact before the mid 90's, the 414 and the 87 were the good budget LDC's available.

Have you worked with any 414's or any 87's, littledog? Which versions and what applications?

Dan Richards
Digital Pro Sound
The Listening Sessions
The Project Studio Handbook
 
OK. I was a little confused by your initial statement that seemed to equate U87's with 414's. I thought you then explained that you didn't really mean they were all that much alike, and I thanked you for the explanation. Now it appears you want to engage in tedious hairsplitting. I'll cooperate for a miunute or two, but am really not all that interested in arguing about just how much these two mics, which we both know are quite different, have in common...

So I'll make my point, and then if you wish, you can have the last word. I won't inflict this silly argument on anyone else for longer than that. If you think we should discuss it any further, you can PM me.

Dot said:
How do you figure they don't have the same features? They both have a three-pattern diaphragm, pad and roll-off. Seems like they have exactly the same features to me. What am I missing?

The 414's have four patterns, not three. At least all the ones I've owned and/or seen do. I can't speak for the original "C" version, as I don't own one, and last time I saw one I didn't look that carefully. In addition, the 414's have two pad values (-10 and -20 dB) and two roll-off frequencies (75 Hz and 150 Hz), while the U87 has only one of each.

If you had said "they have some similar features" I suppose I couldn't argue. But "exactly the same features?" C'mon. (And you could have included lots of other features that STILL wouldn't make them exactly alike, e.g. both side address, both made of metal, both use phantom power, both designed in Europe, etc.)

Dot said:
As far as pricing, in the big picture they're not that far apart. And they used to be closer in price with the original C and EB [414] and the pre-Ai [87] models. Both of these mics have been around long before budget LDC's. In fact before the mid 90's, the 414 and the 87 were the good budget LDC's available.

414's are available brand new for around $800 if you shop around. I bought a used EB version not long ago for $500. I haven't priced U87's lately, but I would have a hard time believing they are anywhere near that cheap.

Your point about the fact that they were the only good budget condensers of the early 1990's is not quite correct. The TLM193 was Neumann's budget condenser, not the U87. And you would have to also include mics made by CAD/Equitek in the budget collection of that time period.


Dot said:
Have you worked with any 414's or any 87's, littledog? Which versions and what applications?

There's a truckload of tempting comebacks that passed through my mind on reading that last remark:

(No, I don't actually work with mics. I just buy them and hang them on the walls for decoration...)

(Applications? Well, I particularly like to use the U87 as a counterweight...)

(Versions? I always use the x-rated versions. I don't believe in censorship...)

But if you'll pretend that I didn't say any of the above half-witted comebacks, I'll pretend you didn't ask the semi-insulting question and we'll end on a high note.
 
for what its worth

Mic choice is so subjective and so reliant on application. The 414 is a great vocal mic. Heck,check the Beatles Anthilogy DVD when George is overdubbing on "Real Love". He is using a 414 at MaCartneys studio. They can use whatever they want. Never label anything! :) :)
 
Well, J, some 414's are great vocal mics for some singers some of the time. Celine Dion appears to love the thing, and it loves her. Most engineers, I think, would agree that the 414 is a mic you put up for vocals when something else didn't work. Of course, in some cases, it does work, and very well. And Dot, as a person with a fair amount of mics, I can tell you I've seen Littledog's cabinet, and I'll trade anytime. For most vocals, he seems to favor a Lawson, but he does have a a C414EB and a B-ULS, along with Royer ribbons, and many others I didn't get to see. And I have to agree that a 414 and a U87 aren't really very equivalent at all. We're comparing a $650 street price workhorse
with 4 polar patterns and dual pads and bass rolloff to a $2200 street price main vocal mic (with many other applications) with 3 polar patterns and single stage bass rolloff and pad. Increasingly, the U87 is looking less competitive pricewise when compared to offerings by B.L.U.E., Lawson, Soundelux, and others. The 414 is increasingly one of the best mid priced studio buys, a boatload of versatility at a very modest price. The U87 is simply 4 times the price. The new Neumann TLM127 seems closer to the 414 in concept, a little closer in price (about 2.5:1), a small housing, like the 414, 5 available polar patterns with the special power supply (it adds wide cardioid), and 2 stage bass rolloff. It's pad splits the difference between the 414's 10 and 20 db at 13 db.-Richie
 
I think we're just down to semantics. "Equivalent" does not mean "same". If someone asks what is France's equivalent of Italy's Rome, it would be...drumroll, please.....Paris. Rome and Paris do have many similarities, but of course they aren't the same.

No use in lumping a lot of these mics together anyway. The newer Sennheiser-made U87Ai - that's also more expensive, is not the U87 that Neumann used to make when that company was owned by the Neumann family [ who now own Microtech Gefell ].


Dan Richards
Digital Pro Sound
The Listening Sessions
The Project Studio Handbook
 
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