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clifchamb
New member
mrx said:I can't wait to post some results - my singers are coming over tonight, so with any luck...
Can't wait to hear them X

clif
mrx said:I can't wait to post some results - my singers are coming over tonight, so with any luck...
mrx said:Uh, none. Simply arm "track 2" and go to town. So the VF series doesn't route inputs? Now THAT sounds like a hassle. And having to dig through a menu to pan a track would soon have the thing serving as a door stop.
And as for not trading your VF for "4 MR-8's" - I wonder how many people would trade their VF for one MR-8 and a computer...
Bigsnake00 said:Not to mention the fact that the VF-16 has terrible low end eqproblems...unless you are willing to pay extra for an external eq unit, your tracks sound like they are coming through an am radio (this should get some people hacked off)........
approx. one week till she (mr8) arrives!
b
teainthesahara said:If you evaluate your needs ahead of time with unbiased sources of information...then nobody would be trading their MR8's or VF16's anytime soon!
T
Yeah this is true...that seems to be a main draw back against these machinces...i was just stating that if you want really really good recordings you are going to need an external eq...with a vf16 your best option is an outboard but with the mr-8 you can fix it in the computer.....it all evens out. haha ok its more like an fm radioteainthesahara said:Bigsnake,
If by hacked off you mean't laughing then yeah,...its funny! ALL fostex recorders have EQ challenges. The low EQ problems of the VF refer to it's adjustablility...NOT that it cant record low bass and your recording's come out sounding like AM radio (that's what i thought was funny!)....with the MR8...you get just as bad or worse eq in your 'mastering presets'. That is kind of a paradoxical term! I dig the all the fostex machines, but i dont know why Fostex makes such equalization boo boo's....
T
I apologize, I think they advertised it as a Nady, and I never really paid much attention to what I was using, but it turns out its an Audio Technica sound addict bark. It's a dynamic cardioid ball mic, made in the Phillipines. I'm probably at a 50 degree angle to it, no more than 2 feet away. I'm using an Ovation Custom Balladeer medium bowl, from 1979, being finger picked. No pick ups used at all. The ukulele is at the same angle, (maybe closer to 45 degrees), the uke is an Applause UAE 20, but, again, no pick ups used, and being strummed with the fingers.Bigsnake00 said:man that is a great sound you are getting dyuob!
all that from that cheap nady? what techniques did you use with the guitar.
dyuob said:I've yet to use over 5 or so tracks, so i haven't bounced at all. In fact, I sometimes use tracks 5 and 6 together as the reference track to record to. I'm getting a bass in the near future, but that still is only 4 instruments, and with vocals, that uses only 5 tracks in mono. However, if I can find a real singer, I might consider stereo vocals , as that would bring them up front real well.
Like I said in an earlier post, this little machine is perfect for what I want to do. Not too big, not too little, and I'm growing with every time i use it. What more could i ask for?
PeteHalo said:
Now tell me this, why did you folks go for MR8 instead the VF80?