heatmiser
mr. green christmas
Nice!
Very similar to my L100 Hammond.....though I didn't get it with a separate tone cab....it has the speakers underneath, but I bought one of those Lopo 212 cabs, and dropped an identical set of Hammond speakers like the ones in the organ so that I could move them away from the organ a bit, and make it easier for miking up. It was a PITA trying to work a mic in between my legs while playing the Hammond.
On your space....looks cozy, but Jimmy and RAMI are right, you should at least toss a couple of traps in there where you can, and see how it goes. You can also hang some from the ceiling if you don't have enough wall space....just consider the best places to put them.
I totally understand that it's hard to cram 20 traps into a room where most of the space is already taken up by instruments and recording gear....and of course, they come first....but some trapping will tighten up your low end and/or help with general broadband control.
Yeah, I was told prior to the 3 hour drive to NH that it was a leslie, but it turned out that was completely untrue
. Still, the cabinet (a PR-40) does add a tremendous amount of fullness and is much easier to mic as you say. This thing has issues with loud hums on certain notes in any octave, but so far, I'm just isolating the hum and using EQ to quiet it. I guess it will require some service. At least it was free and it looks cool!The whole treatment thing is very intimidating, but I have plenty of lumber and tools and enough carpentry experience. No rockwool or fiberglass or whatever that stuff is though. If I built bass traps, they'd have to be narrower than what is recommended due to space constraints. I'll have to read up on whether smaller-than-recommended is better than none at all. I know someone said earlier it can't make it worse, but I've made so many things worse in my life, I wouldn't rule that out.

! I knew it
. You gotta admit, it's a pretty cool hack.

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