Just got some comments on ATR tape from my friend Mitch Easter, who has been recording on tape for a long time and is quite meticulous when it comes to all things audio.
He tried out some ATR 1/4" tape bought last December on his Studer 2-track and had level "issues" where levels would drop like he had a bad relay or trimpot and then he'd clean the heads and things would be back to normal, even though there wasn't a lot of visible residue on the Q-tips. He switched back to some Zonal tape and the issues went away, so he concludes the ATR tape was causing the problem.
Anyway, his current opinion is that RMGI 911 and Zonal 700 are the best tapes in current production, unless ATR can/(has?) fixed this problem. Of course, for most of us, there really isn't any point in buying the ATR tape, since our machines aren't really designed to work at the levels the ATR tape is made for. Just thought I'd pass along another opinion, given the recent discussions on which tapes to use.
Cheers,
Otto
He tried out some ATR 1/4" tape bought last December on his Studer 2-track and had level "issues" where levels would drop like he had a bad relay or trimpot and then he'd clean the heads and things would be back to normal, even though there wasn't a lot of visible residue on the Q-tips. He switched back to some Zonal tape and the issues went away, so he concludes the ATR tape was causing the problem.
Anyway, his current opinion is that RMGI 911 and Zonal 700 are the best tapes in current production, unless ATR can/(has?) fixed this problem. Of course, for most of us, there really isn't any point in buying the ATR tape, since our machines aren't really designed to work at the levels the ATR tape is made for. Just thought I'd pass along another opinion, given the recent discussions on which tapes to use.
Cheers,
Otto