Interesting articles

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Could any of this be useful in a home recording setup without the expensive processors (Orban, etc.)?
Orban multiband radio station compressors are awesome. I think they have software versions. They make the material sound even. Depending on the genre of music they can be subtle to dramatic.

Limiter seemed to be STOP WALL.....so I never read as much about that. Compression and Bass and Vocals seemed to lead me to Opto comps for smooth, warm, pump...
the desired parameter is a fast attack. Faster the better.
I dont recall using a limiter for RMS loudness? or I did without knowing, but isnt that the Loudness Wars mastering guys talk about? SMASHING it, Flat Lining, ruining the Dynamics for a Louder obnoxious sound?

QUOTE-
Limiters are usually used to prevent a sound from going over a certain point, and they’re very good at doing that. They can also be used to increase the overall RMS loudness of a sound source, which can be quite useful on vocals in an extremely dense mix.
limiters are necessary. Like a bass, perfect example, a limiter will make the strings low to high even out to the same volume.

Not sure about the loudness wars mastering guys..I like demo's. Brainworx has the limiter demo on the product page and offer engineering video tips on their products. Watching them operate the VST shows you how to use it..
 
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Noise.....in HR land

I know most get the noise issue reduced over the years but recently I moved my PC and setup and though the rooms much larger than a closet vocal booth, I notice room noise and so....thought this was an interesting article.

 
Microphones from 1980's to today by David Royer- Royer Labs and Mojave

Interesting microphone designer engineer who did his time.

1998-2000 "the flood of Chinese mics hit the market".....he mentions the capsules were good but the electronics were very poor and the transformer very poorly designed.
The study lead to the Mojave ..LDC line. Later getting into the reason for specific transformers. 12:58...

 
Not a very deep or large article, just a sad one - another one bites the dust.

Yeah - if you're a little older and grew up in the 60s, 70s, and 80s... it's a bit dark to see how the music and music production industry has evolved and changed. That golden era is a thing of the past at this point.
 
Yeah - if you're a little older and grew up in the 60s, 70s, and 80s... it's a bit dark to see how the music and music production industry has evolved and changed. That golden era is a thing of the past at this point.
Yes, very sad but back then the record companies were making millions and the top execs having a 'king good time. Most musicians on the other hand were not doing THAT much better than they do today. Bit like Amazon and of most of the £T companies today. Workers still get shit.

Dave.
 
Holy HDDs Batman !

Nothing new, but interesting anyway.

Yeah I remember years ago telling people that there were only two types of hard drives.... Those that have crashed, and those that are going to crash.

I still have a tower that was built with DOS 5.0 and Windows For Workgroups 3.1. It is over 30 years old. I upgraded to Win 95 (still on there). I replaced the battery on the motherboard early this year, and it booted right up. It was upgraded a couple of times over the years, finally getting to a AMD 486/100 processor and 1024KB of ram. I think it has 3 HDs in it, 5.25 and 3.5" floppies along with CD burner, a tape backup and SCSI card. The network is a 10base 2/10base T combo card. It was kicker for playing SSI wargames and Diablo. I was in a group that used to play networked games on Saturday nights.
 
Zeppelin 1 was recorded mostly live in the studio and the results speak for themselves - now I wonder if click tracks were used??
 
This article is fairly long but it contains a bunch of videos as well, and plenty of nuggets about the guitar's backstory from the 50's on. Good for those who have a basic, superficial knowledge of guitar stuff. How guitar companies progressed from the 50's thru the 90's and today as they were bought and sold resulting in great instruments, then crap instruments, then really good instruments.

 
this is an old one I stumbled on. Wade, from Iowa to LA to making EMI/ABBEY ROAD gear and mics...hand built in Shell rock Iowa,
Chandler Limited Gear used in HiEnd studios including EMI/Abbey Road. pretty amazing story and luck as he says.

 
2020- SOS Mixing On Headphones


I switched sometime ago. I realized my room was never going to be EMI/Abbey Road or George Martins AIR studio.....not even Sunset Sound...etc..
Speakers might be # 1 in a golden good room, depending on Music Genre (Rap might need SubWoofers...Folk might not , bluegrass might sound good almost anywhere)
but headphones work fine and might be even better in a crap room.
So I went to try headphones and my mixes and ability didn't suck any worse! and that's good because Headphones were really easy to use.

Funny the technology keeps changing, subtley sometimes loudly...
I went in deeper and did the Open Back Headphones someone mentioned, and it was better and different than closed back tracking headphones due to less bass, more flat for mixing. Open Backs it is for mixing, flat, easier on the ears...comfortable too. Then wondered is my Headphone AMP any good? and tried some Headphone amps, with Bob Ludwig praising the Grace Design...so dumped some big cash on a used Headphone Amp. $500...$600.. I found the confidence in the Grace Headphone AMP, but when comparing it made me realize the Behringer headphone rack was fine, one of my interfaces was 90% there, while a bunch of the interface HAmps really sucked and were weak and couldnt drive 600ohm, and not even able to drive the middle 250ohm range.
So headphone amp stayed in the studio, and is awesome for listening to enjoy too for everything.

I took post recommended from pro's and users and bought the BeyerDynamic pro 880 250ohm, and this used Grace Design headphone amp (I sold it and bought it back later)...but my Line6UX8 has an amazing Headphone amp too, those are $150 I compared to my laptop headphone amp and the Behringer multi H-amp. All were ok, but again some suck and using 250 ohm headphones tested that out quickly.

Last someone figured out "simulation of room" and there's the PlugIns to slap on the final Mix Bus....to simulate listening to speakers while using headphones. As when listening to speakers our ears hear both speakers, not quite mono but near it in some ways...but great setup!! now without the "Bad Room Reflections" from the speaker method....hail the Headphone monitoring method.

its all good stuff... Sound on Sound and Headphones and Monitoring the Sound Recording...
Geoff Emerick- Beatles engineers mentioned, "the Monitoring is the most important of all because if you aren't hearing things right, how do we make adjustments."
So he put Monitoring as # 1 before anything else. He used speakers in great rooms and HiEnd...but for HR monitoring is important and maybe Headphones work better?

some memory lane too, thinking back, people used stereos and hifis in the house for playback systems and listening. Those days were soooo different than todays "ear bud bluetooths of smart phone spotifys today." seems fitting and logical, mixing on Headphones for a "headphone world" works and makes sense.
most computers and cars don't have anything but Bluetooth players now, so the whole mediums changed years ago actually.

My DynAudios BM5a have sat for over a year unused... maybe Ill hook a Bluetooth box to them? play my smart phone through them...or sell them?
I have 3 sets of studio monitors. One set is always on the interface. Available...ready to play but having a bunch of good headphones could work better. hmm?

just riffing....
I sit here today with my laptop, a cable from the audio out, to RCA in on my Grace Design 902 headphone amp, and my Beyer880 headphones> usually listening to youtubes comparing stuff or free music from someone. Its almost 2026.
 
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