but since I am no tyrant, and some people might not be back till monday, I'm going to tell you.
Drum roll please.
clip 1: Marshall mxl v67g
clip 2:
Blue Blueberry
clip 3: Shure sm58(with the foam removed)
clip 4: Audio Technica 4033 sm
Ok. its interesting that no one got it right even though some came close. This, to me, goes to show that the price of the mic does not reflect in the sound. ie, there is not a direct correlation between sound quality and price.
MY initial opinions were:
mxl v67:
I borrowed it from the guy I had sold it to and it was the first time running it through the sytek. Man, I was amazed by the roundness of it when I heard it. It had a roundness that I could not get from the blueberry. I wanted to buy it back.
Blueberry:
It sounded small and a distant at even 4-5 inches away(which is where I recorded at). It clipped at the gain level that had been fine for the v67 though. Its a much hotter mic.
sm58:
I thought, now I know why the mic is reverred. It sounded great for a $90 mic and more importantly, it sounded comparable. A little bit covered but nothing that some eq cant fix.
4033:
wow, Ok . forget about buying back the v67. This gave me everything I had heard in the v67 and some more. It sounded a little smoother and shinier in the top end. I also preferred it to the blueberry.
My thoughts after listening a lot:
v67:
this mic is a sweet mic, but its not as smooth as I want. I could also hear a little too much room
blueberry:
very smooth, no doubt, and detailed, but still could be bigger. I liked it best of all, no doubt in part because I paid so much for it. If it had cost me $150 I would have sold it long ago.
sm58:
came out last in this test and I wont use it for vocals if I have a condenser. It has a midrange bump thast is noticeable. Noticeable is not good.
4033:
this mic is still not the best for my voice, but DANG, this mic is good. It just sounded balanced, real, smooth (even though not as smooth as the blueberry). I think it won value for money in this test.
anyhoww , there you have it. I think that nowadays, the determinant is not how many rave reviews it got, or how many "mic of the year " awards, but how it sounds, on your voice, in your room. Money could be better spent on, you guessed it, an outbaord REVERB, or monitors.