
peritus
The not fountain head
First of all, it's been about 10 years since I've posted -- WOW...
I am coming back to my beloved hobby after quite some time. I'm using some space in my basement to do some music/mixing stuff. Not for hire, just for fun. And no "beats", no "synths" and no in the box instruments this time around. I'll probably be making some blue/rock jams (with myself lol). My recipe is electric/acoustic guitar, electric bass, drum kit, tube amps, known-good mics (e.g. Sennheiser MD 421), and Yamaha CP-20 electric piano. I'm also working to get one of the free upright not spinet pianos that come up on Craiglist a lot.
I'm trying to pick one of these boards to keep. I want to use the board for mic-pres and monitoring mostly, with some possibility of bouncing to board and tape for mixing. I'm not crazy about doing mixes completely outside the box and I just picked up a Digi 003, so I've got the tactical part of controlling the software all sorted out.
The one I don't choose, I will sell (probably for a profit, based on how cheaply I came by these). I don't think these two boards are on the same level really -- as the Toft is definitely higher level gear at this point. I'm not far enough into my hobby reentry to say that I favor one or the other by sound alone.
My instinct is that selling the Toft instead of the CMC as the Toft would bring more $$ back to me for investing in other things (e.g. room treatment and LOTS of cables)... Also, I hear the Tofts break down a LOT.
Anyway, I just wanted to throw this out for discussion. Not a super serious thing
EDIT: I should add that my "character of sound" goals are circa 1960s and early 1970s. Not a fan of harsh highs. Therefore, I'm not looking for a "transparent" board/mic-pres, so much as something that adds either color, crunch, tape compression, harmonics or gently rolls off highs.
I am coming back to my beloved hobby after quite some time. I'm using some space in my basement to do some music/mixing stuff. Not for hire, just for fun. And no "beats", no "synths" and no in the box instruments this time around. I'll probably be making some blue/rock jams (with myself lol). My recipe is electric/acoustic guitar, electric bass, drum kit, tube amps, known-good mics (e.g. Sennheiser MD 421), and Yamaha CP-20 electric piano. I'm also working to get one of the free upright not spinet pianos that come up on Craiglist a lot.
I'm trying to pick one of these boards to keep. I want to use the board for mic-pres and monitoring mostly, with some possibility of bouncing to board and tape for mixing. I'm not crazy about doing mixes completely outside the box and I just picked up a Digi 003, so I've got the tactical part of controlling the software all sorted out.
The one I don't choose, I will sell (probably for a profit, based on how cheaply I came by these). I don't think these two boards are on the same level really -- as the Toft is definitely higher level gear at this point. I'm not far enough into my hobby reentry to say that I favor one or the other by sound alone.
My instinct is that selling the Toft instead of the CMC as the Toft would bring more $$ back to me for investing in other things (e.g. room treatment and LOTS of cables)... Also, I hear the Tofts break down a LOT.
Anyway, I just wanted to throw this out for discussion. Not a super serious thing

EDIT: I should add that my "character of sound" goals are circa 1960s and early 1970s. Not a fan of harsh highs. Therefore, I'm not looking for a "transparent" board/mic-pres, so much as something that adds either color, crunch, tape compression, harmonics or gently rolls off highs.
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