
Kingofpain678
Returned from the dead
Okay, I've watched videos of other studios, read articles, read little tips and tricks from engineers and I know that it's fair to say that audio engineers like old tube equipment (duh!) Well, some engineers like to run LOTS of their tracks through certain compressors, eq's, limiters, distressors. Reason being is that old (and I'm sure new equipment too) equipment rolls off transients in a pleasing way (again, DUH! ... compression) BUT some of the equipment that engineers use also smooths out any harshness in a given sound... say distorted guitar.
Ok, so let's assume I'm using a crappy mic and not the best speakers in the world (cause I am), and let's assume I have no access to better equipment (cause I don't). Assuming I'm my signal chain goes as such guitar -> head -> cab -> mic -> Pre -> interface
And assume that no such other equipment exists. Fair enough... Now, the sound that comes out of that signal chain with only this equipment is fairly harsh seemingly no matter what I do.
So knowing all that, what is some advice (assuming any exists) could you give to attempt taming that harshness?
Ok, so let's assume I'm using a crappy mic and not the best speakers in the world (cause I am), and let's assume I have no access to better equipment (cause I don't). Assuming I'm my signal chain goes as such guitar -> head -> cab -> mic -> Pre -> interface
And assume that no such other equipment exists. Fair enough... Now, the sound that comes out of that signal chain with only this equipment is fairly harsh seemingly no matter what I do.
So knowing all that, what is some advice (assuming any exists) could you give to attempt taming that harshness?