GT-44 Capsules

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bigtoe

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does anyone know a good place to get the optional capsules for the GT-44 (omni and a tigher cardioid)? my guitar center doesn't seem to want to respond to getting them...

also what is a good price?

any help appeciated...

Mike
 
I went by the GT booth at AES. I was going to ask if they were still marketing the GT33 and GT44. They were busy. I didn't want to wait. I don't think they were on display. You might call them and ask.
 
It would be a shame if they quit marketing the GT-44/AM-40. I think it was one of their best, if not the best, recent microphone.

M-Audio's web page still lists the additional capsules - although they are a bit pricier than I remembered them (I thought GT sold them for @$100 each direct). I wouldn't count on the listing being current though. Perhaps they got stuck with inventory after the deal collapsed?

http://www.wholesalemusic.com/catalog/brandname/midiman/

OK, I just looked and they are still listed on the GT site for $129 each which is cheaper than the M-Audio site ($139). They have the shock mounts cheaper too.

http://www.groovetubes.com/microphones.cfm?ObjectGroup_ID=124

Now, if only GC would do a blow out on the additional capsules.
 
thanks a bunch guys...i'll look into the direct sales... :D

and yeah, amazing mic...makes me want to hear the earlier mics they made that everyone raved about...as the raves were on the mark with this one. :eek:

Mike
 
Some of the earlier mics are absolutely great and worth picking up if you ever find one. The initial series of mics is IMHO the best of the bunch. I have an MD-1a and an MD-3 and they are both excellent mics. The "a" series is preferable as the electronics are a bit more refined, but either series would be great. There is an MD-2 up on E-bay currently with a BIN of $499 which is a decent price. Unlike the current crop of GT mics, these were hand built (very clean), run on 12AT7 tubes, and you can change the tubes. I have Siemens ECC81 NOS tubes in mine currently. The current mics have mil spec mini tubes soldered in - which isn't necessarily bad - but it does limit your choices a bit. I understand that the capsules in the MD2 and MD3 were built by David Josephson. I have an AM-52 from the Alesis joint venture which is an OK but undistinguished mic. While it is entirely acceptable as a general purpose multichannel LD mic, it doesn't stand out from the pack like their earlier mics.
 
I've always raved about GT mics. I have a GT66 and LOVE it. An amazingly rich yet clear and detailed sounding mic. It has a great flattering affect on just about everything. I was just looking at an older Musicians Friend catalog from a few years back and they were blowing out MD-1a's for $200... I wish I hadn't missed out on that one. :mad:
 
reshp1 said:
I was just looking at an older Musicians Friend catalog from a few years back and they were blowing out MD-1a's for $200... I wish I hadn't missed out on that one. :mad:

If those were the reissues, you don't have to feel that bad. I bought one hoping to get a match for mine and opened it up. It was nothing at all like my original MD1a. Had the current electronics and capsule in it (actually it looked a lot like the innards of a GT-66) and the soldered-in mil spec tube. I sent it back.
 
The GT-55 and 66 both have some sort of a feature to enhance the diaphragm, which supposedly extends the top end. I hate those things. :D Just a personal preference. The reissued MD's are almost the same thing as the GT-66 and 55, except they don't have those thingies to boost the high end. They sound a good deal smoother and more natural in the high end as a result, in my opinion.
 
chessrock said:
The GT-55 and 66 both have some sort of a feature to enhance the diaphragm, which supposedly extends the top end. I hate those things. :D Just a personal preference. The reissued MD's are almost the same thing as the GT-66 and 55, except they don't have those thingies to boost the high end. They sound a good deal smoother and more natural in the high end as a result, in my opinion.
Yeah, there's a little disc in front of the diaphram. It doesn't cover the whole thing like in the Octavas, just covers about a 1/4" of the middle. I was toying with the idea of removing it, since it improved my Octavas quite a bit, but I don't know if it's going to make that much difference on the 66.
 
All I know is that, after toying around with the GT55 and previously with the reissued MD-1 ... there's just something I don't really like about the high end of the 55. It's a sibilant mic in comparison to the MD, which to me almost seems mildly rolled off in the top like with the GT44 and 33. Again, I haven't worked with their LDC's extensively, but it is the impression I got from them. And I believe the biggest difference between the two is that disk, so I'm assuming it to be the culprit. I could be wrong, though.
 
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