My understanding of a shelf filter is that it does pretty much the same as a LPF or HPF above or below a frequency, all content is removed - I tend to use these types on things like drum overheads or in my case, my own voice where I am also playing bass, and the vocal mic picks up the bass amp behind me. The difference between brands is often how steep the slope of the cut is. I'd prefer a very steep one - so it savagely wipes out the bass, or the annoying stuff up top where they spoil the sound I want. Some like on the behringer X32 seem quite good at this, but never quite as good in Cubase, I note. So no boost or cut above the selected frequency, then as much as possible below (or the reverse)