digital vs tubes amps

  • Thread starter Thread starter StudioMxpx
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And for the sake of staying on topic, Line 6 amps kick ass when you're not trying to use them to emulate other amps. If you want the Mesa sound, get a Mesa. If you just want a badass amp, the Line 6 Spyder series on the insane setting with all the preamps on 10 not only sounds heavy as fuck, but makes guitar store clerks make that bitter beer face I love so much!
 
ScreamingHead69 said:
And for the sake of staying on topic, Line 6 amps kick ass when you're not trying to use them to emulate other amps. If you want the Mesa sound, get a Mesa. If you just want a badass amp, the Line 6 Spyder series on the insane setting with all the preamps on 10 not only sounds heavy as fuck, but makes guitar store clerks make that bitter beer face I love so much!


Probably because it sounds so horrid they can't stand it and wished you'd turn it off.
 
jonnyc said:
Probably because it sounds so horrid they can't stand it and wished you'd turn it off.

Actually it sounds great as long as you don't jack the master volume and gain to high. I saw a few people set up their Marshals that way and it always sounds cool, so I tried it with the L6 and ti worked pretty well!
 
jonnyc said:
Probably because it sounds so horrid they can't stand it and wished you'd turn it off.
LOL! The Line 6 Spyder amps sound great as long as you are hopped up on enough PCP to bring down a bull elephant.
 
ScreamingHead69 said:
the Line 6 Spyder series on the insane setting with all the preamps on 10 not only sounds heavy as fuck, but makes guitar store clerks make that bitter beer face I love so much!
The insane setting with the preamps over 5 is, well...insane.

I don't mind the preset, but you can take it way too far and end up with a hollow sounding bag of bees.
 
StudioMxpx said:
i think i'm going to try micing it with two mics..all i have is a sm57 and a audix i5..but when i place the mic a little above the speaker it gets real dull and bassy..sounds like a big phase problem..but im going to try a few things and ill post some samples up later today.
Those two mics are perfect together. Try doing it in the X-Y stereo
 
StudioMxpx said:
how can i impove it?



Read and listen to THIS. Pay attention to what Slippy says. He knows what he is talking about. MOST of what you can learn from him will not involve buying any new gear, but gaining new knowledge, and learning new technique.

You do NOT need new preamps, EQ's, compressors, or any other new gear YET. You need to learn what to do with what you have FIRST, and then you can worry about what new gear you WANT.


Light

"Cowards can never be moral."
M.K. Gandhi
 
Most of this thread is a textbook example of the blind leading the blind, I think.

Gotta start somewhere, I suppose.

Good post, Light.

Originally Posted by StudioMxpx
how can i impove it?

EXCELLENT question. Best thing I've read all day (including the Ghandi autobiography I was reading).

-C
 
Chris Shaeffer said:
Most of this thread is a textbook example of the blind leading the blind, I think.


-C


That's the only reason I bothered to post. I just couldn't deal with the complete lack of useful information.


Light

"Cowards can never be moral."
M.K. Gandhi
 
Light said:
That's the only reason I bothered to post. I just couldn't deal with the complete lack of useful information.


Light

"Cowards can never be moral."
M.K. Gandhi


I thought telling him to get the mic off the center of the speaker was somewhat useful. :rolleyes:
 
myhatbroke said:
OK YOU COCK SUCKING PIECE OF CUM. I didnt say it increases highs off center I said it increases highs when placed farther away.


Actualy the lows decrease.
 
So, who is it who keeps giving me neg rep, but is too much of a pansy ass to leave there name, anyway?

The most recent one:

again, stfu tinkerbell

It seems he doesn't like it when people suggest technique over gear.




Must work at Banjo Mart.




There were several people I assumed it might be, but they all are at least adult enough to leave their negative feedback in public and with their names.


Not like it matters at all, but I'm a curious kind of guy.



Light

"Cowards can never be moral."
M.K. Gandhi
 
jonnyc said:
I thought telling him to get the mic off the center of the speaker was somewhat useful. :rolleyes:


Well, OK, I didn't see that one. All I really did was speed read through it and see a bunch of "You need a new preamp" bullshit. I haven't even listened to the posted samples, because I am a firm believer that you can judge exactly NOTHING by listening to MP3's, so why bother? Besides, if someone wants to know more about recording distroted guitars, Slippy's thread is the best answer avalible, because it has just about everything you could even want to know.


Light

"Cowards can never be moral."
M.K. Gandhi
 
People randomly neg repped the hell out of me too but I dont really care. :p
 
Back to what this thread is really about:

Comparing the 2 samples, they both sound very diffrent, but yes, I prefer the second one. But after being able to acess some good tube amps (70's marshal half stack/fender deville), I can finaly agree that while they don't deliver the true sound of a guitar, they distort it in such a perfect way (nonlinear i assume, so technicaly not perfect) that can not be exactly coppied by effects.


-jeffrey
 
Light said:
Well, OK, I didn't see that one. All I really did was speed read through it and see a bunch of "You need a new preamp" bullshit. I haven't even listened to the posted samples, because I am a firm believer that you can judge exactly NOTHING by listening to MP3's, so why bother? Besides, if someone wants to know more about recording distroted guitars, Slippy's thread is the best answer avalible, because it has just about everything you could even want to know.


Light

"Cowards can never be moral."
M.K. Gandhi


I agree, slippy's article should be required reading. I was lucky enough to discover it in my recording infancy and helped an amazing amount, now guitars are usually the least of my problems.
 
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