Heheeheeheh...
It is made by Caig Laboratories...There are actually several versions.
Caig Lab's Website
There's the
contact cleaner, and the
Faderlube...use the former for cleaning connections and jacks and such, and the latter for pots and faders. I think either will benefit either, but I'm sure it couldn't hurt to use them as designated.
I was able to purchase mine locally at an electronics shop, so start there. If you're having trouble finding it locally post back. There are lots of places you can order from on the web.
Hope that helps.
Be careful with the pots (IMO) and the tightness...I think that is dried grease in the shaft...resist the temptation to try and blow cleaner in from the top and try to clean all that out. My
theory is that if you do that you're going to do two bad things...blow grease and dirt down into the pot, and eliminate the barrier that keeps dirt from getting into the pot. I've found that by injecting the cleaner/lubricant directly into the body of the pot, and positioning the pot so that the cleaner can drain away from the resistive element(s) that it is most effective in eliminating the "crunchies" from the pot performance, and I think a little bit of the lube/cleaner leaches into the pot shaft housing and softens the grease as you exercise...if it is still tight then I clean off the threaded portion of the pot as good as I can using some window cleaner on a rag and then dribble a little cleaner/lube where the shaft goes into the pot and exercise it some more and that has pretty much done the trick from me. I've had the most trouble eliminating static/crunch from mic trim pots, but somebody said somewhere that that may be related to bad caps, and I haven't been able to test that theory yet (i.e. clean the pot, still crunchy, recap the preamp and see if its better...)
Good luck, and congrats again on the acquisition of the 110 (saw your post about that). That's a chunk-o-deck!
