
chrisharris
King of Bling
lol...he's older than you are, Vestast. I'm assuming midlife crisis is responsible for 90% of this thread. Quit feeding the trolls already. 

Blue Bear Sound said:Quite obviously your ears are different..... you call them standards as if somehow they are superior - I disagree......I don't happen to think U2 or Soundgarden mixes are particularly good examples of good-sounding audio... personally, I'm more partial to the Steely Dan, XTC, and Diana Krall sound in terms of mix/sonic quality, far superior to U2's productions in my opinion.
I'm not saying Lanois, Eno, et al, aren't talented - nor are my comments a knock against their work. It's just that I don't care for the way their final sound ends up.borntoplease said:dont get me wrong... i can appreciate many things. i thought the production on diana kralls's CD "when i look in your eyes" was great. very rich, pure tones. its beautiful. i think most people can agree though that U2's production is stellar. look who they have working for them... daniel lanois, brian eno, steve lillywhite and flood, though flood did much more engineering and mixing. i dont think that you can get much better than those guys. i would be curious to know how you feel about their production techniques.
I was about to reply when I noticed Vestast's comments above... I second what he said...jessegarcia said:Some of you need to get with the times and realize that sonically we are in a different age.
blah...blah...blah...
The legend grows {stupider}...
Blue Bear Sound said:too much "space" (and phrased it as if that characteristic were a negative!) - that's very funny because that's EXACTLY what I WANT to hear in a mix - some space and air around the tracks.
I had my dog listen to the tracks. He bit me!vestast said:WTF is that ? Have new frequencies been invented in the past 10 years that I haven't heard of ?
jessegarcia said:Results don't lie- the millions of people "into" today's sound can't all be wrong when it comes to their own preferences right
jessegarcia said:... And what of the opinions of people raised during or after the 80's? Growing up with all different aspects of projected music, from each era of recorded music to draw their opinions from, seems as if it would make for a broader scope of understanding. For the most part you old-timers cannot, and would not, even listen to something "new" in tone or projection method; due to the jealousy and fear that invades most of your thought's as you begin to comprehend your own limitations and even mortality. The youth of today are much more open-minded in regards to opinions about art of all kinds than even you older "hippie-types". You see, in their minds they can live forever and anything is possible; so, they are much more likely to experience and know a larger amount of information just from the amount of input they willingly receive.
Now it's time for a reality check. Is your opinion of sound quality based on facts, or whymsical notions about your past?
jessegarcia said:so, they are much more likely to experience and know a larger amount of information just from the amount of input they willingly receive
Track Rat said:This fucking thread is STILL running????Jeezus Kee-rist!!!
That explains much... since your knowledge of both musicality and audio engineering is so limited, your lack of credible opinion on either subject is quite clear.jessegarcia said:Yes, I do believe that the more information you posses and process about a subject, the better your opinion of that subject will be. But hey ... That's just me ...
uh... did I miss something? You're showing WHO up, exactly? Hard to conceive of how some talentless windbag throwing shit around can show anybody up!!jessegarcia said:Yet here I am, with my lack of talent and credibility, showing you up in such a big way.
jessegarcia said:It must really, REALLY, irritate some of you that you can't even pay someone to listen to you