Sounds good to me! I really dig the kick. The mix in general is pretty boss.
Thanks, man! I appreciate the listen and the comments.
Not bad at all. I'm hearing a little bit of phasiness in the snare. Did the drummer move around a lot? It sometimes sounds like my overhead tracks when I move too much and block one of the mics. You can hear the snare jump left and right a little. Overall it sounds pretty good though. Great drumming. I think the kick is a little midrangey. Maybe scoop some low mids to get it a little deeper sounding. If you close mic'd the toms, bring em in a little more to get more boom out of them.
Thanks Greg. He didn't move around much, but I went back and just listened to the drum tracks without the guitars and I'm hearing it too. I've never never gotten down to level of phase alignment on the various mics--but maybe it would be worth playing with. And thanks for the comments on the toms--I was wondering if they weren't a bit dry too. The boom is there, I just had a real short release on a gate. I loosened that up some and now they ring more.
Sounds very good to my ears. I don't have Greg's expertise about mic placement but I think the kick is nice and meaty and nothing screams out at me for being out of place. Guitar tone and playing is outstanding as usual.
Wig
Thanks Wig! That means a lot!
Great little Jam piece there StratCat!
Drums sounding good. My ears don't pick up phasing well I guess.
What kind of drums are they? What mics and placements did you use?
Oh..and the axe grinding was great too!
Thanks True! The drums are Pearl Exports. I'm not a drummer, but I bought a "house kit" (knowing they weren't anything extravagant!) just to have a full setup--and to get good at recording 'em. Lemme tell 'ya--even as a non drummer I'm now a disciple of the "replace the heads and/or tune 'em" teachers around here. Did so a couple weeks ago and I love the way they sound!
The mics are (I use a ton, so get ready...)
Kick D112
Snare Audix i5
Timbable Audix i5 (not in this mix I don't believe)
The three toms are those GLS 57 knockoffs
OHs are Rode NT5s
Room mics are a pair of tube condensers from the last group buy.
With all those individual mics, room mics might seem like overkill, but I'd used these before for a live capture and loved 'em, so I set em up. In the end, what we'd call the "Overhead sound" is actually about 60% room mics and 40% overheads. From where I'm sitting, it just seemed to open up the kit and make it more lively.