basement studio

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thefauves1

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Hi…my wife and I just purchased a 1903 Victorian House and I plan on turning most of the basement into a project studio. I have had a project studio at my last place, for the last several years, but this one will be way larger.

First off, my goals are to record my two bands and other bands that I like and that are my friends. It will also be used as a live rehearsal space. I will not be a professional studio, meaning, while some cash may change hands, I do not need to make a living wage off of it nor do I plan to pursue this course in the future, although, I do spend the majority of my free time recording, playing and what not (my wife and I are both musicians). I am also not interested in making the perfect recording…more songwriting and documenting…influences, indie pop/garage/noise stuff…ie pavement, guided by voices, bright eyes, pedro the lion, etc.

Here is an example of stuff I did in the past: http://telefonics455.com/audio.html


The rooms are sized as follow 26’ x 13’ for the live room. 13’ x 12’ for the control room. 2' x 8’ for a possible vocal booth. There are also two other rooms available for isolation purposes, although those will double as storage areas and one will have a washer and dryer and laundry stuff.

The rooms are concrete on the exterior walls and brick on the interior. The ceiling are a mess…about 8.5’ high to the floor of the first floor, with rafters being about 7’ high, but with pipes running everywhere, in no discernable pattern. A drop ceiling could only feasibly be put in at the ridiculously low height of about 6’. The floor is also concrete. The basement is dry, although there is some mildew on the wall.

My budget is about $1500. I will have more money to spend on it in the future. Time is a premium. I work a full-time job and play in one full-time, one part-time band, plus need to find time to eat and sleep and what not. My friends and band mates have graciously volunteered to help me work on the space, but in reality no major construction will be taking place.

Here is a plan. Please feel free to add/subtract and let me know what’s wrong/right about it.

1. Clean and drylock paint the walls.
2. Place insulation in the ceiling (702 was recommend to me), silver side down.
3. Place carpeting on the floor.
4. Acoustic foam hanging on halls…(this is where I need the most advice, like where how much, etc). I plan on sticking some directly to the cement and some in wood frames. I plan on purchasing this from foambymail.com unless someone convinces me otherwise.

Unfortunately placing a window between the control room and live room would require knocking down a brick wall (ain’t happening), so a talk back mic will have to do here.

Also, a question about my vocal booth, there is no door on the spot that I selected…it is kind of an open closet. Will a heavy blanket/curtain work for a door (I know it is not ideal)? In my last space, I used to hang blankets from the rafters and make kind of like a vocal tent.
Thanks everyone in advance for your comments.
 
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take my advice with a large grain of salt, as I'm no kind of expert...

foam on the walls is generally used for sound abosorption, not sound proofing. I imagine you will have more problems with bass frequency standing waves than anything else, so you might want to go with corner bass traps in the live room with some diffusion on the walls.

I think using heavy blankets as a door for the vox booth will work fine, just don't expect crystal clear seperation on those vocal tracks.

If you wanted to help live drum sounds, you might want to build a small "floated" floor section / drum riser in your live room. Also be sure to get the amps off the floor. I hear the iso-pads work pretty well.

Also, the carpet on the floor might make it more comfortable to walk on, but it's not going to do much acoustically.

Hope this is helpfull...
 
With your hard walls and floors you'll probably
have serious bass "challenges".

Acoustic foam works at mid frequencies up.
say 200 hZ up, which is nice for vocals, etc.

But for bass control, and you will need some
control, you gotta have thick stuff. A Low E is
41 hZ, which has a wavelenght about 20 feet long.

You might check out Ethan Winer's info, he
has lots of tips and even sells bass traps, altho
I think they'd break your budget.

If you do framing, try for non-parallel walls, and
check out the double wall, isolation tips in
the usual websites. A double studded wall with
double drywall does a lot better than what
is there now, except for your solid brick walls.

Don't forget that sofas and soft chairs help
absorb bass, and let the musicians rest and
drink a cold one....
 
Hey,

This is more what it looks like... i was totaly off..

there some approx demenstions..

drawing0qz.png
 
How loud is that furnace? When that things kicks on, it could seriously impact your session. I'd say the first thing you want to do is find a way to keep that thing from being a factor. That will likely be a major factor in the design and layout of the studio.
 
Concerns from my perspective:
1) Moisture: Before you do ANYTHING to those concrete wall and floors, make sure you dont have past or future water infiltration issues. Do you have window wells--> source of flooding. Do you have a sump pump? --> source of flooding. Laundry equipment/toilet/etc---> source of flooding. Water and moisture can destroy a studio.
2) Floor drains ..keep em clear, and buy standpipes. In case of a sump pump failure, you will be glad you did.
3) Before you box in that furnace, check building codes. Where is the combustion air coming from? (Does your home have floor level "cold air returns"??) What are the code required distances to adjacent surfaces. Whatever you build, make sure the inner surface (toward the furnace) is non-combustible. Make sure you can still service it.
4) Thik about overhead pipe noise..supply and drains. These will need to be sound insulated as well. (no flushing toilets during tracking please!!)


More later
 
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