Kick Drum mic Poll

  • Thread starter Thread starter nezpierce
  • Start date Start date

which Kick Drum mic would/did you buy?

  • ATM 25

    Votes: 50 15.2%

  • AKG D112

    Votes: 134 40.9%

  • Sennheiser e602

    Votes: 36 11.0%

  • Shure Beta52

    Votes: 108 32.9%
  • Total voters
    328
i own an APEX 125 bass drum mic. it's "decent" or "will work" for recordings and live it's all good, but i did get it off of Ebay for like $35 or $40. I'm sure it's not the best mic in the world but worth mentioning. It was cheap, did the job i was needing it for (live sound reproduction and a drummer friend's audition viddy). :)
 
I noticed there haven't been many comments about the e902 in this and most of the other kick threads.

I guess they're not exactly the go-to for many out there, but does anyone have experience with this mic?

I just picked one up for $50.
 
There has been a lot of comments about the Audix D6. I am wanting to buy a kick drum mic, and it is a toss up between the Audix D6 and the ATM25 (2nd hand as it is out of production). Which one should I get and why? :confused:
 
I currently own a 421, a D112 a beta52 and a D6

They all have their purpose and place on different drums

If i'm shooting for more boom I'll use more of the 52in the mix,
The d112 i always thought was tight and allowed me to hear the wood of the drum

the D6 doesn't thrill me much, I think it's dull.

the 421 gives you some wood and click and boom.
 
Very interested to hear about using an RE20 on Kick. Am just about to buy one as an alternative voice over mic.

Has anyone else used this on Kick?

ALT Recording Studios Brighton
www.altrecordingstudios.com
 
I used an MD421 during my last recording session (back in May) which was okay (didn't put too much time in placement though).

Now I got a Beta 52 and a Beta 91 off ebay very recently. In fact, I haven't even received them yet. Gonna put them to the test in two weeks during a recording session. Can't wait. I expect a lot, especially from the 91. It's going to be interesting.
 
Still after 9 years the akg is still slightly on top.
more people of this decade have to vote and post newer views.



:cool:
 
i've always liked the sound of the RE-20 in the kick drum, but right now my RE-20 is broken, so at the moment i've been using the beta52 with the beta91 in there as well. it works quite well for me.
 
I'm probably going to get an Audix D6 when I've got the money to spare...I've liked what I've heard from them!
 
guitaristic said:
I'm probably going to get an Audix D6 when I've got the money to spare...I've liked what I've heard from them!
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whats wrong with the D6? I love that mic!! of course I play mostly prog... I like it because it already has that kind of scooped tuned in sound... very tight. I also love the D112 but a totally different sound. I actually right now am running D6 and D112 simultaneously and mixing them in different combos... getting some pretty good tones. I sold my 52 because it sounded too much like a wannabe D112 that failed although with a beta 91 in combo with the 52 was pretty good. I also own the e602 and that one sounds kinda cool if you're going for that ULTRA scooped pantera kind of sound. It sounds a bit like the D6 but not as tight and the D6 is heavier in the low mid thump...generally just more filled out but still has that scoop that I like.
 
I was just playing with Drumistic :D And as you have pointed out any microphone to be used is a matter of personal preference, unless it comes to the point of it just not capturing the true sound of the source with out having a fake scooped built in curve. ;)
 
moresound said:
I was just playing with Drumistic :D And as you have pointed out any microphone to be used is a matter of personal preference, unless it comes to the point of it just not capturing the true sound of the source with out having a fake scooped built in curve. ;)
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I will say that the D6 is a very good mic for certain types of music. It is VERY colored and will make a weaker shallow sounding kick drum sound nice and fat. I personally prefer a mic that captures the actual sound of the instrument and allows me or the audio engineer to EQ it to taste.

So basically I am agreeing with moresound but I'm just adding more definition.
 
I have a D6 and a D112. I like the D6 more but that is because of the crazy curve the mic has right off the go. I've also used the Beta 52a and thought that was decent as well. Never used any of those other mics.

The D112 (IMO) takes more time to tweak both at the source (placement) and post with eqing it to taste. I was never happy with the results I got from it so I moved it onto the floor tom where it does much better (IMO).
 
Rimshot said:
I will say that the D6 is a very good mic for certain types of music. It is VERY colored and will make a weaker shallow sounding kick drum sound nice and fat. I personally prefer a mic that captures the actual sound of the instrument and allows me or the audio engineer to EQ it to taste.

So basically I am agreeing with moresound but I'm just adding more definition.
Click to expand...

Thanks Rimshot!

And lets not forget to tune those drums up kids, then there is no need for a colored microphone to be used in the first place.
That and the right drum kit for the right job.
 
Oh hey there everybody! :D

Glad to hear you guys' opinions! Thanks for the feedback. Yeah, I'm not normally one for mics that color the sound a lot, but I think I might make an exception for the D6! It's the sound I'm going for anyways. :)
 
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