Yet Another New Mic Pre. This one from M-Audio: DMP-3

  • Thread starter Thread starter lunatic
  • Start date Start date
20hz to 100,000hz...


Does a frequency response that goes that high actually help ?



pAp.
 
You mean you DIDN'T read the FREE article with Rupert Neve in the recent FREE copy of TAPEOP magazine? Shame on you, you should be banned from recording.
 
that looks freakin good.

If it sounds as good as the dmp2 and is in the same price range, it should be more than worth it. A friend is still enjoying his dmp2.
 
looks great , but the dummies forgot to fix the only flaw of the DMP2...a Pad.....
 
tubedude said:
You mean you DIDN'T read the FREE article with Rupert Neve in the recent FREE copy of TAPEOP magazine? Shame on you, you should be banned from recording.


Nope. The subscription form is for US addresses only. Would you mind elaborating ? Enquiring minds and all that.

pAp.
 
lunatic said:
Of course it does!



If you're a bat :D

Actually, I'm currently working on a sample-CD of dog whistles. THis pre is IGGZACTLY what I've been looking for!

:D

/Henrik
 
Henrik, Right on! That's sure to be a top seller ;)

Tubedude, I'd read TapeOp but I'm stilll waiting for my first issue :(

Cyan, I have two DMP2 and love 'em, For the price, they're perfect.

-Peace
 
PapillonIrl,

The Rupert Neve article was very interesting.

The part that Tubedude was referring to (if my convuloted memory serves me correct) discussed testing some new preamp designs. Two of the pre's were being A/B'd and on the bench they were fairly identical in the 20Hz - 20,000 or so Hz but one of them had a dip or roll off in the the higher frequencies (above what is audible for humans) BUT all of the "golden ear" boys and gilrs could consistantly hear a subtle but distinct difference favoring the one that had the improved frequency response in the above humanly audible range.

The legendary but humble Mr. Neve was at a loss for a definitive explanation. It has been a couple weeks since I read the article so the details are fuzzy but he did theorize that even though we can not hear above certain frequencies as individual tones the presence of those frequencies when mixed in with the whole tone did some how affect out perception of the sound.

All of this leads me back to believing that sound and aucoustics are still part voodoo science.
I don't think I will ever have ears golden enough to tell some of those differences myself so I will reistrict my bang for the buck evaluations on what I can hear.

Will a 100,000 frequency response help? Sounds like there will be a debate about this but I would not pay extra money for it unless I could hear the difference myself.
 
Cheers...yeah it does sound like an interesting debate, doesn't it ?

pAp
 
Hmmm, I wonder if a 3db boost at 1 Gigahertz will add some "air" to my acoustic instrument tracks?
 
Dont' say gigahertz,add some air and acoustic all in one sentence too loud.... the marketing guys will be all over it and it will be all your fault!

Now that would be some good irony.

BTW I checked out the M-Audio Website and could not find a list price for the dmp3 anywhere.

Anyone know?
 
I talked to a guy at m-audio a few weeks ago who said suggested retail would be around $199. It should be shipping shortly after winter namm.
 
Thanks Rubbermonster,

That would be a tempting price if they are any good for those of us that cannot afford a $500-$2000 preamp anytime soon.
 
Scooter B said:
Thanks Rubbermonster,

That would be a tempting price if they are any good for those of us that cannot afford a $500-$2000 preamp anytime soon.

Yeah but how usefull do you think they would be long term? When you get a $500-2000 preamp do people think they will still be usefull? I want to be able to buy a new piece of equipment but i want something that i can use long term when my studio gets better.
 
The DMP3, which as I understand is an improved DMP2, is something that will stay in your studio a long time. It is the only pro sounding pre in that whole prosumer range. Its very clean, detailed and airy. Its similar to the mackie pres with more detailed highs and more "realism." I dont know exactly what the dogs ear range accomplishes but this pre definitely excels at 7.5K and up.
 
Cold Ash,

Point well taken. This dilema rests upon knowing your goals and a realistic future budget. I doubt my finances will allow me to expand beyond a home project studio for my own and a few freinds demos. A $1,000 for a good preamp that will be well used for ten or more years may be a wise investment indeed.

Unfortunately $1,000 is more than I will get to spend on my recording hobby in the next ten years combined. I am still using a cassette 4-track for crying out loud! I have desparately tried to scrape up $200 for a single RNC for over a year and it aint hapenning.

Thats why I hang out here, buy good used equipment (when possible) and know what a good price for it is.

I have no illusions or expectations of going pro or full time as a business. I am glad some Pro's hang out here to give advice but this is a HOME Recording website and the DMP3 sounds with in my budget in a few years and sounds like it could meet my needs.

I will be waiting for reviews from any of you who are in a better financial disposition but within my level of expectations. So let us know as soon as anyone gets to try this out.
:D
 
Scooter,

you sound worse off than me...i find it useful to buy way behind the technology and find those awesome deals....i scored a DMP2 for $79 new....i record on a 500mhz Celeron with a $149 Delta Audiophile 2496....

ill let u know the next time i come across a great bargain.......
 
Thanks Gidge,

It's good to know I am not the only one on a shoe string Ramen Noodle recording budget.

Scott
 
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