What's the best chord?

  • Thread starter Thread starter Greg_L
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I struck an "A" chord back in 1976 on my first Les Paul Standard through my first Marshall stack with a 100 watt head, that is still resonating and sustaining even now in the present time! I think anyone reading this would have to agree that that was indeed one helluva chord! :eek:
I heard it back then ! All the way across the Atlantic. I thought it was one helluva crow cawing and I shouted at it to sharrap.
Never heard the like again.....
 
Of the top of my head, I can immediately hear 2 candidates for the best chord of all time:

-Jimi's E7#9 from purple haze
-John Frusciante's Emaj7 in Under the Bridge

I would have to lean towards the Emaj7, makes me vibrate in all the right ways
 
I use the diminished sevenths quite a bit. I like the fact they can be named by any note in the chord and repeat as inversions every four frets. It gets a little difficult which note to call it by, depends on the key.
 
The root chord of whatever key you can sing in.
 
seriously, the best chord is the "and" chord. you know the "and" chord, as in

"aaaand he's a jolly good fellow...." etc etc etc, "aaaand...."

best chord. most all of the best songs have a best chord, the and chord.
 
I read somewhere a long time ago in a tabloid article by a band that F#m was the best chord because it resonates at the same frequencies as the female orgasm.
Gets my vote.
 
I read somewhere a long time ago in a tabloid article by a band that F#m was the best chord because it resonates at the same frequencies as the female orgasm.
Gets my vote.
That's only true for B-flat women. E-flat and C women have different resonant frequencies and, worse, usually require transposition.
 
That's only true for B-flat women. E-flat and C women have different resonant frequencies and, worse, usually require transposition.

And the D-flat women usually require transportation...

Oh shiz, this isn't Prime Time forum. Well, at least it not in Newbies.
 
My favorite has always been Jm7#. This chord seems to fit in any arrangement, and is included in every song I record.
 
As a heavy metal guitarist, I'm going to keep it simple and say E5. There's a million ways yet to make it fresh and original (though there's also infinite ways to make it boring and regurgitated).. More with less, says I..
 
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Yours were a bit heavy for me.
 
We may be in dischord, but maybe we can get a chordial made with conchord grapes and rechord our achordians in one achord with a camchorder sitting on the chordwood!
 
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