VTgreen81 said:the fmaj7 in the key of em? It's followed by a Gmaj7, so I'm assuming it's a secondary dominant that'll resolve to the III. The closest I can come is that it's a substitute for a Dm9 which would be a v/III, but I'm sure I'm a bit out of whack.
VTgreen81 said:It turns out to be a neapolitan chord which is a triad based on a diminished supertonic.![]()
mmmm ice cream i say!VTgreen81 said:It turns out to be a neapolitan![]()
this is just plain wrong... a neopolitan is specifically a secondary dominant of the dominant built on the b2nd step... not to be confused with a tritone sub... IMO your still in phrygian...VTgreen81 said:It turns out to be a neapolitan chord which is a triad based on a diminished supertonic.![]()
up-fiddler said:The discussion seems a bit assoteric. Fun though.
GoldFalcon said:Yeah, I hear Dylan wrestled with exactly the same question...
vtgreen81 said:It turns out to be a neapolitan chord which is a triad based on a diminished supertonic.
dementedchord said:this is just plain wrong... a neopolitan is specifically a secondary dominant of the dominant built on the b2nd step... not to be confused with a tritone sub... IMO your still in phrygian...![]()
dementedchord said:except he's asking about a F maj7 not dom 7 and he's resolving it to a gmaj7 not a B7
Yeah just my thoughts. If it sounds brilliant I dont even try to find out what chord it is im fiddling on my keyboardup-fiddler said:Just play!
if sounds good then![]()
else try something different.
Relax......![]()